
Jillian Steinhauer
Freelance Journalist and Editor at Freelance
Journalist & editor covering art & comics. Words in @nytimesarts @newrepublic @vulture @thenation. Organizing @FSP_NWU @EmpowermentAve. Teaching @JournoDesign.
Articles
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2 weeks ago |
newyorker.com | Helen Shaw |Inkoo Kang |Jillian Steinhauer |Dan Stahl
If a dance isn’t performed for a long time, it starts to disappear. People’s memories of it fade, and videos can be confusing—choreographers’ notes, even more so. In short, reconstructing old dances isn’t easy. On the other hand, that process of rebuilding is inherently interesting.
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1 month ago |
newyorker.com | Shauna Lyon |Inkoo Kang |Jillian Steinhauer |Sheldon Pearce
You’re reading the Goings On newsletter, a guide to what we’re watching, listening to, and doing. Sign up to receive it in your in-box. Whether you are one with the sun or in love with your A.C. unit, summer has plenty in store for you that doesn’t involve a small screen.
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1 month ago |
nytimes.com | Jillian Steinhauer
The show that started as a messy upstart sibling to the traditional fairs has grown up a bit, though it's still packed with zany charms. When Spring/Break Art Show began in 2012, it was a kind of anti-fair: The married organizers, Andrew Gori and Ambre Kelly, filled an defunct schoolhouse with curated, thematic presentations. Artworks were for sale, but there weren't really booths so much as rooms and installations. The vibe was D.I.Y., experimental and a bit zany.
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1 month ago |
newyorker.com | Rachel Syme |Helen Shaw |Jane Bua |Jillian Steinhauer
New York City and roller-skating go way back. In 1863, a part-time inventor named James Leonard Plimpton, who ran a furniture store in the East Village, filed the first American patent for quad skates. Plimpton, who struggled with weak ankles, loved to skate but hated to wobble; his newfangled creation featured four squat, spread-out wheels, an innovation that allowed even novice skaters to conquer balance.
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Mar 25, 2025 |
mubi.com | Jillian Steinhauer
The robot is voguing and reciting poetry. It moves the limbs of its humanoid body around the screen, fluttering its hands, spreading and swooping its legs. “Dip into your mind,” it says. “Welcome to your insides.” Its face looks like an African mask, with a mouth that lights up when it speaks. “To rest is to refresh. … Have some chamomile tea, skip the wine.” At this I chuckle loudly, as do other members of the audience.
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