Articles

  • 1 week ago | newyorker.com | Rachel Syme |Hilton Als |Helen Shaw |Sheldon Pearce |Taran Dugal |Jia Tolentino

    Summer is a season ripe for scandal; people tend to be overheated and understimulated, looking to mist their crisping minds with idle gossip. Minor controversies can boil over, given the right temperature, into full-on imbroglios; such was the case in Paris in 1884, when the twenty-eight-year-old painter John Singer Sargent débuted a new large-scale portrait at the Salon, then the world’s most influential summer art show.

  • 3 weeks ago | newyorker.com | Hilton Als |Dan Stahl |Jane Bua |Vince Aletti

    I met Alva Rogers years ago, through a mutual friend, and her various incarnations—actress, singer, artistic director, writer, puppeteer—have always been remarkable to me. As a young woman, Rogers posed for the artist Lorna Simpson, and is the subject of Simpson’s photograph-based piece “Waterbearer” (1986), along with other early works, and, of course, she was the nominal star of Julie Dash’s film “Daughters of the Dust” (1991), a fascinating evocation of Gullah culture in South Carolina.

  • 3 weeks ago | flipboard.com | Hilton Als

    NowAn Autopsy Report on Biden’s In-Office Decline“Five people were running the country,” a political insider told the authors of the new book Original Sin. “And Joe Biden was at best a senior member of the board.” Halfway through King Lear, storm clouds gather, and Shakespeare’s protagonist rages, “You see me here, you gods, a poor old man, / As …NowPatsy Ferran Is Riding High“I’m oversaturated at the moment,” says Patsy Ferran.

  • 2 months ago | theparisreview.org | Hilton Als

    Interviewed by Hilton Als Margo Jefferson was born in Chicago in 1947, to Irma and Ronald Jefferson, two members of what W. E. B. Du Bois once described as the Talented Tenth, or the Black leadership class.

  • Feb 11, 2025 | newyorker.com | Hilton Als

    The guys over at 15 Orient have been hitting a lot of home runs lately. Pardon the sports idiom: if you think of the art world as a competitive marketplace devoted to capital gains and winning with a team of star players, then the metaphor is apt. But the gallery’s founders, Paul Gondry and Shelby Jackson, accomplished a great deal with a minimum of flash and hollow hustling.

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