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1 week ago | 
hyperallergic.com | Daniel Larkin
There is an undeniable heaviness to 2025. In her video work “What is Burden” (2025), artist Hannah Bang explores this weight. Projected onto the final drawing, the four-hour piece captures the performer in the process of making it, continuing even as the paper gradually tears, playing with ideas of temporality and flux. How can art help us navigate the difficult changes of 2025? In Re:Turning, the Parsons Fine Arts MFA show curated by P! Krishnamurthy, students like Bang try their hand.
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Jan 12, 2025 | 
hyperallergic.com | Daniel Larkin
We rely on readers like you to fund our journalism. If you value our coverage and want to support more of it, please join us as a member. Siena: The Rise of Painting, 1300–1350, an examination of Siena’s breathtaking mix of blood and gold at the Metropolitan Museum of Art, is long overdue. Works like Simone Martini’s “Christ on the Cross” (1340) simultaneously glow and ooze in a dramatic contrast.
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Jan 3, 2025 | 
hyperallergic.com | Natalie Haddad |Hakim Bishara |AX Mina |Seph Rodney |Julie Schneider |Daniel Larkin
We rely on readers like you to fund our journalism. If you value our coverage and want to support more of it, please join us as a member. It’s 2025 and time to start a new year of exploring art — and there’s already plenty to see.
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Oct 8, 2024 | 
hyperallergic.com | Daniel Larkin
We rely on readers like you to fund our journalism. If you value our coverage and want to support more of it, consider supporting us as a member. Join Us MONTREAL — The fool takes center stage in a Flemish painting show now on view at the Montreal Museum of Fine Arts. Although the English title, Saints, Sinners, Lovers and Fools, leads with saints, it’s the folly that seems most timely.
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Oct 2, 2024 | 
hyperallergic.com | Daniel Larkin
Support Hyperallergic’s independent arts journalism for as little as $8 per month. Become a Member In a gem of a show at Efraín López gallery in Tribeca through October 26, Braxton Garneau takes Trinidad’s legendary carnival costumes to the next level in his new series of mixed-media works. Restricted to a color palette of blacks, whites, grays, beiges, and tans, they allow the textures of materials like shell to come alive with both graphic intensity and economy of detail.
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Aug 4, 2024 | 
besjournals.onlinelibrary.wiley.com | Daniel Larkin
1 INTRODUCTION Invasive species exhibit broad variation in ecological novelty relative to the recipient ecosystems they invade. Some notorious examples of biological invasions lead to dramatic shifts in representation of the Earth's evolutionary history and ecological niches. For example, invasions of small islands by rodents severely harm biota that have not coevolved with mammals (Drake & Hunt, 2009).
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Jul 18, 2024 | 
medium.com | Daniel Larkin
Fin8z[Telegram]Sean D'Souza - Courses Bundle Course Download Essay;Ladies and Gentlemen, gather around, gather around! Do I have a deal for you today! Step right up and prepare to be amazed, dazzled, and possibly educated beyond your wildest dreams. Forget Netflix, forget YouTube - our courses are where the real action is!Sean D'Souza Course DownloadSean D'Souza - CoursesSean D'Souza - Courses Bundle course download
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Jun 4, 2024 | 
hyperallergic.com | Hakim Bishara |Hrag Vartanian |Julie Schneider |Daniel Larkin |Kealey Boyd
We all know that summer is the art world’s slow season — time for generic gallery and museum group shows. But that doesn’t mean there’s nothing to see. From a gallery’s revelatory look at under-recognized Lebanese artist Bibi Zogbé to exceptional long-term museum shows on artists Pacita Abad, Nona Faustine, and Toshiko Takaezu, and a standout contribution to the Whitney Biennial by Sharon Hayes, there’s plenty of great art in the city.
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May 22, 2024 | 
hyperallergic.com | Daniel Larkin
A sense of gloom permeated the New York Studio School’s annual MFA exhibition. What is the middle ground between losing ourselves in depression and bottling up all our feelings? How can art provide visual catharsis? These are not new questions, but the artists have formulated some novel responses to meet the existential dread of this moment. Since the Hamas attacks of October 7 and Israel’s subsequent bombardment of Gaza, Nicholas Skoug has attended numerous demonstrations for a ceasefire.
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May 15, 2024 | 
hyperallergic.com | Hrag Vartanian |Daniel Larkin |Ela Bittencourt
Sometimes we need beauty. Other times, we desire bad paintings, grotesque creatures, and even pain (or its visual representation at least). Right now seems to be a good time for both. From art collective AES+F’s sardonic takes on extreme wealth and formulaic works by male modernists in a show ostensibly about pioneering women artists to Jamie Martinez’s tragicomic takedowns of Christopher Columbus and Carlos Martiel’s high-stakes performance art, this is art in all shades of critique.
