Dora Segall

Sep 18, 2024 | chicagoreader.com | Dora Segall

Kost was itching to produce an event last summer. After a nine-month tour of the U.S. with a children’s theater company, the poet-director-writer-performer wanted to create something of their own. They bounced ideas off of their roommate, Lincoln Lodge manager Christian Borkey, including a potential poetry reading or comedy show. Borkey suggested combining both. Kost loved the idea. She reached out to two poets who inspired her, Kailah Peters (“K.P.”) and Emily “Lee” Goldstein.

Sep 9, 2024 | roundupchicago.substack.com | Dora Segall

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Aug 23, 2024 | washingtoncitypaper.com | Christina Smart |Amari Newman |Heidi Pérez-Moreno |Dora Segall |Sarah Marloff |Serena Zets

Thanks for being a member of City Paper! On 2023’s Pretty, D.C.’s alt-soul band Oh He Dead gave us the lighter side of love with tracks full of gleaming pop melodies and lyrics comparing relationship partners to cherry blossoms and honeybees (for real). On their follow-up, Ugly, things are no longer sunshine and lollipops. Actually, they’re downright … ugly. The album, released today, Aug.

May 15, 2024 | washingtoncitypaper.com | Brandon Wetherbee |Colleen Kennedy |Christina Smart |Dora Segall

Thanks for being a member of City Paper! Jeff Draco’s newest single, out May 31, begins in the same vein as MACHINA-era Smashing Pumpkins before segueing into a War on Drugs meets Vampire Weekend radio-friendly shifter. There’s some guitar layering that leans in to the atmospheric but there’s also quite a bit of pop radio shine that has the potential to get Draco on Spotify playlists with fellow DMVers SHAED.

Feb 14, 2024 | washingtoncitypaper.com | Serena Zets |Sarah Marloff |Christina Smart |Colleen Kennedy |Dora Segall |Taylor Ruckle

Thanks for being a member of City Paper! Daniel Noah Miller, one half of the acclaimed experimental pop duo Lewis Del Mar, and a D.C. native, releases his debut solo album, Disintegration, on Feb. 16 via the FADER label. The inspiration for Disintegration is derived from Miller’s upbringing—split between Adams Morgan and Nicaragua—and his ongoing navigation of place, self, and identity.