
Josephine Botting
Articles
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1 week ago |
bfi.org.uk | Philip Concannon |David Parkinson |Josephine Botting |George Bass
What I love about watching Jaws now is that for all the technology that exists, which didn’t exist 50 years ago, there’s nothing new that’s been invented that makes moving that pneumatic shark on a sled any easier. It’s still as hard today as it was then. It’s all ‘in camera’, and to this day nobody has been able to really duplicate what was accomplished, even in the sequels.
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1 week ago |
bfi.org.uk | David Parkinson |Josephine Botting |George Bass |Pamela Hutchinson
It takes chops to steal a film from Richard Burton and Clint Eastwood. But Derren Nesbitt – who turns 90 on 19 June – did exactly that in Brian G. Hutton’s film of Alistair MacLean’s Where Eagles Dare (1968). And he was only on screen for a fraction of the epic’s 155-minute running time. He had played Germans before, in The Blue Max (1965) and The Naked Runner (1967).
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1 week ago |
bfi.org.uk | Josephine Botting Rarities |Josephine Botting |George Bass |Pamela Hutchinson
In September 1962, the Sunday Express reported on the presence of a fading Hollywood star in London. “Once he could not have stepped into a London street without being mobbed,” the article said. “Now at 8.30 on a busy morning in Oxford Street, no one pays the slightest attention to him. Who is he, this man with a beard who goes unnoticed in the crowd? He was once the greatest screen tough guy of them all.” The former ‘tough guy’ was Edward G.
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1 month ago |
bfi.org.uk | Stuart Isaac Burnside |Anton Bitel |José Arroyo |Jose arroyo |Josephine Botting
How do you begin to discuss a video game as seminal as Pac-Man on its 45th anniversary? Pac-Man is a rare gaming beast that has managed to transcend its trappings to become something of a cultural shorthand for the medium of video games as a whole. Titles are rarely as impactful as Namco’s 1980 masterpiece, and the little circular hero shows no signs of retiring any time soon.
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1 month ago |
bfi.org.uk | Anton Bitel |José Arroyo |Jose arroyo |Josephine Botting |Carmen Gray
“Eeurgh, that was horrible!” says a schoolgirl during a class on cinematic presentations of World War II, complaining about Come and See (1985), Elem Klimov’s notoriously confronting story of Belarusian Holocaust. “Well maybe it was horrible,” responds her teacher Stuart Reeves (Stuart Laing), “but war is horrible.” This exchange, coming near the beginning of Thomas Clay’s debut feature The Great Ecstasy of Robert Carmichael (2005), also neatly reflects the film’s initial reception.
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