
Hadani Ditmars
International journalist at Freelance
Architectural Critic at Wallpaper* Magazine
Writer, photo journalist, performing artist
Articles
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1 day ago |
themarkaz.org | Hadani Ditmars
A joint Arab/Kurdish exhibition at Baghdad’s The Gallery, showcased how the nation’s “two solitudes” can unite through art. “In a time when maps are redrawn and memory is rewritten, the true homeland is what lives in the soul and identity remains an unbroken thread — regardless of time or shifting borders.” —The Gallery, Baghdad.
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1 week ago |
theartnewspaper.com | Hadani Ditmars
At the opening of Allspice: Michael Rakowitz and Ancient Cultures in Athens, the Iraqi-American artist Michael Rakowitz stood on a podium, backlit by an illuminated Acropolis. Half of the ancient Greek complex’s treasures are exhibited at the Acropolis Museum, where the exhibition is taking place, but many are missing—some controversially housed instead at the British Museum and other international institutions.
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2 weeks ago |
newarab.com | Hadani Ditmars
Baghdad, Iraq - In the wake of the Arab League summit in Baghdad, trumpeted as a success by the government and a failure by its critics, it’s hard to tell whether Iraq is booming or imploding, or both. And it depends on who you ask. The 34th Arab League Summit on 17 May focused on the genocide in Gaza, as well as regional conflicts in Sudan, Libya, Yemen, and Lebanon, together with the challenges facing the new government in Syria.
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1 month ago |
theartnewspaper.com | Hadani Ditmars
At the opening of Riopelle: Crossroads in Time at the Vancouver Art Gallery in mid-March, the philanthropist Michael Audain, who chairs the Jean Paul Riopelle Foundation and is one of the celebrated Quebecois modernist’s most prominent collectors, extolled the late painter as one of “Canada’s greatest artistic heroes”.
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1 month ago |
operacanada.ca | Hadani Ditmars
Thanks to new Trumpian realities and a uniformly excellent cast, Vancouver Opera’s season closer Madama Butterfly is a hyper-relevant must see. What can you say about the timeliness of an opera that explores the dark side of American imperial adventures (with “The Star-Spangled Banner” as a leitmotif) that opened a few days before our national election?
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