Articles

  • Apr 27, 2024 | antronio.cl | Henry Miller

    ¿Quieres apoyar a nuestro foro haciendo una donación?, entra aquí. Estás utilizando un navegador desactualizado. Puede que no muestre este u otros sitios web correctamenteDeberías actualizar o utilizar un navegador alternativo.

  • Apr 22, 2024 | bfi.org.uk | Alex Barrett |Carrie Rickey |Henry Miller |Tony Rayns

    Italian filmmaker Roberto Rossellini caused scandal in both his life and work; his filmmaking was unorthodox and experimental; his interests adventurous and multifaceted. ‘Il miracolo’, from his two-story anthology film L’amore (1948), was denounced as blasphemous and banned in the US before the ban was overturned by the US Supreme Court. His high-profile extra-marital affairs with Swedish mega-star Ingrid Bergman and Indian screenwriter Sonali DasGupta triggered international outrage.

  • Apr 17, 2024 | bfi.org.uk | Henry Miller |Tony Rayns |Andrew Male |George Bass

    From gothic elements to surreal satire and unexplained weirdness, the films of Lindsay Anderson were never only about getting “ordinary life” on screen. 17 April 2024By Henry K Miller“Print the legend.” The meaning of this famous line from John Ford’s The Man Who Shot Liberty Valance (1962), uttered by a newspaper editor, is that some untruths are necessary. Lindsay Anderson, a critic before he became the director of films including This Sporting Life (1963) and If….

  • Apr 17, 2024 | antronio.cl | Henry Miller

    #1 ¿Ningun antroniano que le guste la música clásica? La de verdad, no esa wea asquerosa de Mozart cropófago autista reculiao Aqui les dejo algunas de mis piezas de piano favoritas #2 Soy el unico antronero que escucha música clasica. Escucha este: Saludos. Última edición: #3 Mis viejos hacia falta su tema de este tipo, ahora mis recomendaciones. Y mi favorito #4 Pides música clásica "de verdad", pero dices que Mozart es una mierda. La estupidez más grande que he leído. #5 #6 GUSTAV HOLST...

  • Apr 15, 2024 | bfi.org.uk | Tom Charity |Rebecca Harrison |Catherine Wheatley |Henry Miller

    Ethnography is deeply rooted in the traditions of the European film festival circuit and the arthouse sector that developed alongside it, a project espousing cultural curiosity and paying lip service to diversity, but somewhat shaded by post-colonial whitewashing. Nevertheless, it has to be an encouraging sign that filmmakers from Bhutan (The Monk and the Gun, 2023), Nepal (Shambhala, 2024) and, in this case, Mongolia are finally getting homegrown films noticed at an international level.

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