
Rachel Syme
Staff Writer at The New Yorker
woman about town. staff writer @newyorker. also: writing a book for @aaknopf + a coffee table book for @penguinrandom. away from here, mostly.
Articles
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1 month ago |
link.newyorker.com | Rachel Syme |Katy Waldman |Fintan O'Toole |Justin Chang
Plus: Steven Soderbergh’s spycraft in “Black Bag”; Jonathan Larson beyond “Rent”; and overheard at the Eavesdrop bar. View in browser | What we’re watching, listening to, and doing this week.
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1 month ago |
newyorker.com | Rachel Syme
In the spring of 2011, Lady Gaga, then twenty-five years old and on the cusp of releasing her second full-length studio album, “Born This Way,” did something unexpected—at least for a pop star of snowballing fame. I’m not talking about the way she’d shown up at the Grammy Awards that year, nestled inside a giant plexiglass egg that was paraded into the venue atop a rustic palanquin.
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1 month ago |
flipboard.com | Rachel Syme
4 hours agoLady Gaga just dropped her newest album, Mayhem, and has made it clear that much of the project was inspired by Trent Reznor’s legendary industrial band, Nine Inch Nails—specifically, their biggest song, “Closer.” She recently opened up about her love of Reznor during an appearance on Howard Stern’s …
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2 months ago |
criterion.com | Rachel Syme |Shonni Enelow
Essays— Feb 18, 2025 In November of 1988, just a few months after the release of her fourth feature film, Crossing Delancey, the fifty-three-year-old director Joan Micklin Silver gave an interview at the American Film Institute, in which she made a passionate case for women’s pictures, by which she meant pictures directed by—and therefore thoroughly infused with the sensibility of—women.
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Jan 3, 2025 |
newyorker.com | Rachel Syme
In today’s newsletter, reflecting on time with the “Severance” star, and then:Graham Norton, comedy butlerA political scientist on Israel’s widening warMarianne Jean-Baptiste’s performance for the agesRachel SymeStaff writerAt first glance, the people I wrote about in the past year—the filmmaker Sofia Coppola, the theatre director Rachel Chavkin, the Parisian perfumer Francis Kurkdjian, and now, for this week’s issue, the actor Adam Scott—would seem an eclectic bunch, with little in common.
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