Jeremy Lybarger
Writer at Freelance
Features Editor at Poetry Magazine
Editing prose @poetrymagazine + @PoetryFound // Writer // Working on a book - Midnight Tremor: The Life and Art of Roger Brown
Articles
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3 weeks ago |
artforum.com | Jeremy Lybarger
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4 weeks ago |
artnews.com | Jeremy Lybarger
A few months before she died in July 1977, the Chicago painter Gertrude Abercrombie—by then largely housebound and plagued by the arthritis that had forced her to stop painting years earlier—gave an interview to local broadcaster Studs Terkel. “Everything is autobiographical in a sense but kind of dreamy. It’s way off in the skies,” the artist said, alluding to her methods as an engineer of uncanny nocturnes. It’s true that Abercrombie didn’t camouflage the personal traces in her work.
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2 months ago |
frieze.com | Gregg Bordowitz |Jeremy Lybarger
Jeremy Lybarger What should people expect to see at The Brick? Gregg Bordowitz ‘This Is Not a Love Song’ is centred around the third instalment of a film trilogy that I started making in the early 1990s. The first two were Fast Trip, Long Drop [1993] and Habit [2001]. The last film, Before and After (Still in Progress) [2023], is a kind of anthology of performance works I made that directly relate to the two earlier films.
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2 months ago |
artforum.com | Jeremy Lybarger |Oskar Oprey |Bryan Barcena |Barry Schwabsky
TO UNDERSTAND the kind of artist Barbara DeGenevieve was, you need only look at some of the prompts she gave her students at the School of the Art Institute of Chicago (SAIC), where for twenty years, starting in the mid-1990s, she was the photography department’s resident troublemaker:Make a piece in which you explore/inhabit/become a stereotype. Make a piece that addresses your own racism. Make a piece that is guaranteed to offend or piss people off.
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Jan 6, 2025 |
artnews.com | Jeremy Lybarger
Andrea Carlson’s fascination with landscapes began with a painting her parents hung in her bedroom when she was a child. She describes it as “cheesy” and “syrupy,” the kind of deer-gazing-at-mountains scene that numbs the eye. But the painting’s atmosphere—its intimation of something ineffable just over the hill—would lull her into a meditative state, and she’d fall asleep imagining herself in that unreal valley.
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I wrote about a new exhibition of one of Chicago’s greatest artists for @ArtinAmerica https://t.co/27I8IJOEbI
Joyelle McSweeney on Tove Ditlevsen: Her work is as luminous and haunted as a department store mirror in which the young girl studies her possible futures and the aging woman searches the black pools of her pupils for the little doll who used to live there https://t.co/ToG7Z8ssL7
Roger Brown, NIGHTTIME (1968) https://t.co/Nz3WcjGjSV