Jiayin Chen

Jun 11, 2024 | news.artnet.com | Jiayin Chen

Artist Marco Brambilla is no stranger to screens, especially unconventional ones. At 28, he directed a Hollywood film starring Sylvester Stallone, but feeling unfulfilled by the commercial film industry, he pursued an artistic career using film instead. Brambilla’s work draws heavily from media culture and postmodern society, recontextualizing found imagery to create hypnotic, expansive film collages.

Apr 1, 2024 | mdpi.com | Yue Cheng |Jiayin Chen |Jiajia Tang |Wenbo Xu

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Mar 8, 2024 | news.artnet.com | Jiayin Chen

As an ardent advocate for digital art, I am convinced that given the ubiquitous nature of the technology, it emerges as the native medium for artists to express themselves in our time. One of the common misconceptions about digital art is the notion that it is encased in mobile and laptop screens. But in the heart of New York City lies the largest canvas imaginable for any artist: 98 digital billboards spanning from 41st to 49th Streets in the iconic Times Square.

Jan 19, 2024 | chemistry-europe.onlinelibrary.wiley.com | Chen Liu |Yukun Ma |Ronghong Lian |Jiayin Chen

Conflict of interest The authors declare no conflict of interest. Supporting Information As a service to our authors and readers, this journal provides supporting information supplied by the authors. Such materials are peer reviewed and may be re-organized for online delivery, but are not copy-edited or typeset. Technical support issues arising from supporting information (other than missing files) should be addressed to the authors.

Jan 16, 2024 | news.artnet.com | Jiayin Chen

What does 2024 hold for the world of art and technology? In the 1975 black comedy film A Boy and His Dog, 2024 is depicted as a time when humanity strives to survive underground after a nuclear war, possessing telepathic abilities to communicate with their dogs. Luckily, as of now, humans are still living above ground.