
Articles
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2 weeks ago |
latimes.com | Julissa James
It was Jasmine Benjamin’s friend, the gallerist Jeffrey Deitch, who persuaded her she needed to make a book about L.A. style. From her early days going to shows and working the door at parties to her many years hustling as a stylist, Benjamin knew everyone — designers, skaters, musicians. She was fluent in the visual language that made up the city, knew its subcultures and neighborhoods like the back of her hand.
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3 weeks ago |
latimes.com | Julissa James
To live in L.A. is to be so inundated with the architecture of its spirituality (and quasi-spirituality) that you don’t even notice it’s there anymore. It’s baked into the foundation of the place, camouflaging as scaffolding as we go about our daily routines. The Church of Scientology becomes nothing but the place you pass by on your way to Found Oyster. The signs on the telephone poles in all caps — “SE LEEN LAS CARTAS” — are part of the neighborhood color.
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1 month ago |
latimes.com | Julissa James
Los Angeles Nomadic Division is celebrating 15 years of championing the city’s artists, and cultural curator Anita Herrera is throwing a true Y2K L.A. quinceañera in its honor on April 26. Titled “El Quince,” the creative project, fundraiser and celebration is just the latest example of Herrera using parties as an artistic medium, which feels like a fitting way to celebrate the milestone at LAND, an organization known for realizing artists’ projects.
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1 month ago |
miamiherald.com | Julissa James
The first thrift store I remember going to as a child was called Amvets. It was a warehouse-like space that sat between the alley of an apartment complex, a trailer park and a gas station. I'd spend hours under the rows of industrial fluorescent lights playing with the plastic toys that lined the left wall, or I'd hide behind the cheap bridal gowns, hugging a bushel of taffeta until my arms stung.
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1 month ago |
latimes.com | Julissa James
The Fashion Trust U.S. Awards? You kind of had to be there. After the point in the ceremony when Natasha Beddingfield sang “Unwritten” at the top of her lungs, the entire room overtaken by euphoric nostalgia, moving and singing in her reflection, host Keke Palmer correctly retorted: “Why do we all go up for that song?”One: Because it’s a classic. Two: Because it’s filled with hope, pointing us to what’s next.
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