
K.O. Nnamdie
Articles
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2 months ago |
family.style | K.O. Nnamdie |Sahir Ahmed |Jane Lewis
“What do you think of when you see the title ‘Evil Nigger’?” I’m asked as I walk into 52 Walker in New York. The words are emblazoned in all caps on the cover of a new zine inside the gallery at the start of its new, two-person exhibition, Julius Eastman & Glenn Ligon: "Evil Nigger.”I smile now thinking of the late Pope.L’s 2002 book Hole Theory and the connections Eastman would have probably had with it given his “The Nigger Series,” a seminal collection of works recorded around 1980.
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2 months ago |
family.style | Jane Lewis |Sahir Ahmed |K.O. Nnamdie
“Why shouldn’t I have fun all day?” This question prompted the late artist and designer Dan Friedman to depart from New York City’s corporate design world and pursue the alluring downtown art scene of the 1980s. It is also the title of his new solo show, his first in a gallery since 1994. The exhibition at Superhouse, which commemorates the 30-year anniversary of Friedman’s death, recalls the artist’s domestic space that he transformed into a hybrid of art and caricature.
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2 months ago |
family.style | Jane Lewis |K.O. Nnamdie |Saam Niami
Helena Christensen discovered her early love of objects while growing up in the outskirts of Copenhagen. “I was digging in the dirt as a little girl, trying to find objects from the past, because we lived next to a potato field where there were actually objects from the Second World War, even from the ’30s, ’40s, ’50s. Little pots or dolls,” says the supermodel.
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Sep 2, 2024 |
family.style | Sophia Roe |K.O. Nnamdie
Frederica Simoni's compositions are peaceful and dreamy though preoccupied by suspense. The Paris- and Milan-based photographer has worked with brands and publications alike—and has published two photo books featuring texturally rich images taken during her travels to Barcelona and Mexico.
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Sep 2, 2024 |
family.style | Sophia Roe |K.O. Nnamdie
Over the past few months, astute observers of Saint Marks Place in Lower Manhattan may have noticed an understated, Art-Deco-esque new signage pop up in a quieter stretch between First Avenue and Avenue A. “Cecilia” reads the lettering on the window, next to a stairway leading down to the space. Behind the entrance lies a bar, farther back is an intimate dining area, and beyond this is a quaint backyard patio.
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