
Kehrer Verlag
Articles
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Oct 16, 2024 |
accesswire.com | Kehrer Verlag
"As I Found It: My Mother's House," now available in bookstores, uses skillful photographs and heartfelt text to create a narrative that explores the ways in which dementia destroys history and meaning.
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Jun 1, 2024 |
entertainment-mag.com | Tariq Zaidi |Kehrer Verlag
Throughout, Zaidi captures the omnipresence of the North Korean state. Order, discipline and juche — the state’s ideology of self-reliance — are emphasized in vibrant murals. The figures of Kim Il-sung and Kim Jong-il, the grandfather and father of the country’s supreme leader, Kim Jong-un, loom over classrooms, train cars and public squares, where the pavement is marked with foot placements to ensure perfect formation during processions.
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May 31, 2024 |
nytimes.com | Tariq Zaidi |Kehrer Verlag
NORTH KOREA: The People's Paradise, by Tariq ZaidiA woman pokes her head out from a hidden room at the Kumgangsan Hotel - a place known for hosting reunions between families from North and South Korea - disrupting the sweeping autumnal landscape painted on the wall. The image, reproduced by Tariq Zaidi in NORTH KOREA: The People's Paradise (Kehrer Verlag, 176 pp., $50), offers a metaphor for a country shrouded in secrecy.
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May 20, 2024 |
all-about-photo.com | Kehrer Verlag |Michael Joseph |Nick Brandt |Christer Strömholm
Publisher : Kehrer Verlag2024 | 144 pagesLost & Found documents a contemporary American subculture of young Travelers through raw, striking portraiture and intimate storytelling. These Travelers abandon home to move around the country by hitchhiking and freight train hopping in a nomadic, transient existence outside of mainstream society. Along their personal journey driven by wanderlust, escapism, or a search for transient jobs, they find a new family in their traveling friends.
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Apr 6, 2024 |
all-about-photo.com | Kehrer Verlag |Michael Joseph |Nick Brandt |Christer Strömholm
''Barbara Peacock’s American Bedroom photographs are a testimony to emotional innocence playing footsie with the devil. With a subject matter such as this, one could almost instantly go toward lurid, voyeuristic admonitions; she does not. … What is it within her that so magnetizes her subjects in the bed in front of her, that she as an imposing presence, ‘the photographer’, no longer exists'' -- Larry Fink, photographer ''I believe the bedroom is not just a private place, but a sacred place.
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