
Articles
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1 week ago |
lawschool.cornell.edu | Kenny Berkowitz
Fleeing threats of arrest for apostasy, Artemis Ghasemzadeh escaped Iran in December 2024, hoping to find religious freedom in the United States. Instead, within minutes of crossing the border from Mexico to California, she was placed in detention, where the Department of Homeland Security showed no interest in considering her request for asylum.
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2 weeks ago |
acousticguitar.com | Kenny Berkowitz |Pat Moran
If, like me, you loved fingerstyle titans Teja Gerken and Doug Young’s wonderfully eclectic 2020 album Duets and Gerken’s recent solo voyage, Test of Time (released on New Year’s Day 2024), you’re almost certain to enjoy the SF Bay Area duo’s latest stellar effort, The Water Is Wide.
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1 month ago |
acousticguitar.com | E.E. Bradman |Kenny Berkowitz |Pat Moran
At the end of a long day at work, I found out on social media that the husband of a dear friend had died after a sudden stroke. Still in disbelief and struggling to convey my sympathy in a concise Facebook comment, I happened to put on Cameron Knowler’s CRK. There was something deeply comforting about the gentle acoustic bubbling underneath the opening monologue, but the words seemed to be a scattered collage, randomly reassembled.
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1 month ago |
acousticguitar.com | Mac Randall |E.E. Bradman |Jeffrey Pepper Rodgers |Kenny Berkowitz
Sitting in the spacious living room of his home on California’s central coast, Lloyd Baggs exudes the air of an old-school craftsman. As he peers through thick-rimmed glasses from beneath a gray baseball cap, his handsomely weathered face radiates both hard-earned wisdom and good humor; a trim white goatee only adds to that impression. If you didn’t know what Baggs did for a living, you might guess he made high-end furniture or built schooners by hand.
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Jan 29, 2025 |
acousticguitar.com | E.E. Bradman |Pat Moran |Kenny Berkowitz
Yasmin Williams’ Acadia takes its name from the concept of an idyllic, fertile place, a metaphor for the creativity and collaboration that permeate her first release on Nonesuch Records. Drawing on instruments ranging from guitars and banjos to fiddle, synth bass, and even tap shoes, Williams crafts a soundscape that is both intimate and expansive, its layered sonic palette enriched by guests like saxophonist Immanuel Wilkins, singer Aoife O’Donovan, and fellow guitar virtuoso Kaki King.
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