Articles

  • 1 month ago | family.style | Magdalena O'Neal |Joshua Glass |Jane Lewis

    What does it mean to reclaim the soul of a symbol? For generations, Black American artists have taken images once used to oppress and turned them into powerful expressions of pride and resilience, from Betye Saar’s transformative assemblages that reframe images of racial stereotypes with defiance, to Nina Chanel Abney’s expressive works that capture the dynamics of everyday life from family cookouts to jazz, hip-hop, and gospel.

  • 2 months ago | timeout.com | Magdalena O'Neal

    NewsStep into the world of your favorite Netflix shows with themed food, drink and curated experiencesWritten by Magdalena O'NealWednesday February 19 2025FacebookTwitterPinterestEmailWhatsAppDavid Becker | Squid Game characters are seen during Netflix BITES Vegas press preview event on February 10, 2025 in Las Vegas, Nevada.

  • 2 months ago | family.style | Terry Nguyen |Magdalena O'Neal |Jane Lewis

    When it comes to Larry Bell, the Taos- and Venice-based artist is best known for his contributions to the Light and Space movement and his striking sculptures, installations, and mixed-media works. Yet his innovative, and idiosyncratic approach follows over to his chili verde recipe. “Make it exactly as the recipe is written, then eat this chilli!” Bell instructs. The artist’s materials of choice? El Paso green chilis, spanish onions, and lean-cut pork.

  • 2 months ago | family.style | Osman Can Yerebakan |Terry Nguyen |Magdalena O'Neal |Jane Lewis

    Time and timelessness are entangled in artist Laurent Grasso’s moody environments. The Parisian painter and filmmaker’s paintings and multimedia work embody a poetic detachment, featuring both topographies of a remote past and alarms of a near future. “I try to create places with invisible power and radiation,” he tells Family Style.

  • 2 months ago | family.style | Joshua Glass |Terry Nguyen |Magdalena O'Neal |Jane Lewis

    “I have eight sisters,” says Theaster Gates as he takes a seat, “so I’m always thinking of them.” We’re in a cylindrical chamber, and the artist is on the second of three brown sugar oatmeal-colored rows. A dramatic skylight pulls reminders of the harsh Abu Dhabi sun just above us into the cave-like space, and a gradient violet backdrop behind us contrasts the dark domestic carpet, forming a scene that is inconceivably beautiful in a language that only Prada can articulate.