Articles

  • 1 week ago | screenanarchy.com | Martin Tsai

    The Shrouds is David Cronenberg's most intensely personal film, or at least he wants us to think it is. Just how intensely personal can body horror get, you might ask? Well, here we have Vincent Cassel acting as Cronenberg's proxy. Not only is the French bad boy sporting the Canadian auteur's signature slicked back grey 'do, he also gets to recite Cronenberg's spiel on atheism as tech impresario Karsh. So OK.

  • 1 month ago | njarts.net | Martin Tsai

    2 The Prudential Center in Newark has always been NCT 127’s go-to venue in this area. The K-pop group was part of the lineup of the 2017 Kcon held there, and kicked off the North American leg of its first tour there in 2019. A planned date at Madison Square Garden in 2020 was scrapped due to COVID. When the group’s second tour stopped at The Rock in 2022, Doyoung, a lead vocalist, expressed hope that they would meet the audience again at a bigger venue next time.

  • 1 month ago | njarts.net | Martin Tsai

    1 The Mayo Performing Arts Center is absolutely lovely, with that unmistakable 1930s structural charm, lustrous interior refurbishments and welcoming staff. It’s convenient, mere steps away from the Morristown train station. An evening of live entertainment there is so pleasant and stress-free, it might spur you to keep up with the theater’s goings-on after one visit.

  • 2 months ago | njarts.net | Martin Tsai

    1 Two hours before curtain time for K-pop quartet aespa’s Synk: Parallel Line Tour stop in Newark, Feb. 11, attendees queuing up at Prudential Center’s main entrances had already spilled onto Edison Place and Lafayette Street, shivering restlessly in either excitement or snowy night chill or both. I hesitated to lump them together as fans — or “MYs,” as aespa stans were called. Typical of K-pop concerts, this crowd was mostly young and diverse.

  • 2 months ago | awardswatch.com | Martin Tsai

    Justin Lin’s first non-franchise feature in 18 years, Last Days heralds his return to independent filmmaking. The technical polish he has acquired during his time in Hollywood – with five entries in the Fast and Furious canon – is unmistakable even in the absence of a studio budget.

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