Melissa Baksh

Feb 1, 2025 | artforum.com | Tyler Dean |Andrew Berardini |Teri Henderson |Melissa Baksh

SINCE 2022, Charles Kang has been the curator of eighteenth- and nineteenth-century drawings at the Rijksmuseum in Amsterdam. He previously held positions at the Clark Art Institute in Williamstown, Massachusetts, the Frick Collection in New York, the Max Planck Institute for Art History in Rome, and the Cleveland Museum of Art. His first exhibition at the Rijksmuseum, “Point of View,” was on view from July to September of last year.

Jan 21, 2025 | artforum.com | Andrew Berardini |Teri Henderson |Melissa Baksh |Tina Rivers Ryan

A critic reckons with the ravaging of Los AngelesTHE HOT WINDS BLEW OVER the mountain passes and the fires came with them. At first, people posted cute quotes by Didion and Chandler about the Santa Anas. Then they stopped. The ash rained. I kept refreshing the app on my phone that told me about the fires, checking the news anywhere I could get it. Information and misinformation, mid-catastrophe public mourning and off-putting blame flickered across screens while the city burned.

Jan 15, 2025 | artforum.com | Teri Henderson |Melissa Baksh |Tina Rivers Ryan |Stephanie O’Rourke

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Jan 9, 2025 | artforum.com | Melissa Baksh |Tina Rivers Ryan |Stephanie O’Rourke |Jana Baumann

Store and/or access information on a device Cookies, device or similar online identifiers (e.g. login-based identifiers, randomly assigned identifiers, network based identifiers) together with other information (e.g. browser type and information, language, screen size, supported technologies etc.) can be stored or read on your device to recognise it each time it connects to an app or to a website, for one or several of the purposes presented here.

Sep 25, 2024 | frieze.com | Melissa Baksh

One of the first things budding vocalists learn is to sing from the stomach. Often, the technique, which involves breathing from the diaphragm instead of the lungs, can feel counterintuitive. The initial attempts can leave you quite lightheaded. A similar feeling arises when encountering ‘The Romance of the Rose’, Ella Walker’s first exhibition with Pilar Corrias, which takes its title from a 13th-century French poem of the same name.