Tyler Dean

Feb 1, 2025 | artforum.com | Mitchell Chan |Tyler Dean |Andrew Berardini |Teri Henderson

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Feb 1, 2025 | artforum.com | Tina Rivers Ryan |Tyler Dean |Andrew Berardini |Teri Henderson

AS AN AMERICAN born in the early 1980s, I feel lucky to have grown up in Miami, where our national homophobia and transphobia seemingly were buried under the sandy shores of South Beach. The Miami of my adolescence was the Miami of The Birdcage, Versace, and Madonna, and at the time, the city felt like ground zero of a post-AIDS renaissance of unabashedly—though conspicuously white—queer culture.

Feb 1, 2025 | artforum.com | Travis Jeppesen |Tyler Dean |Andrew Berardini |Teri Henderson

Store and/or access information on a device Cookies, device or similar online identifiers (e.g. login-based identifiers, randomly assigned identifiers, network based identifiers) together with other information (e.g. browser type and information, language, screen size, supported technologies etc.) can be stored or read on your device to recognise it each time it connects to an app or to a website, for one or several of the purposes presented here.

Feb 1, 2025 | artforum.com | Tyler Dean |Andrew Berardini |Teri Henderson |Melissa Baksh

SINCE 2022, Charles Kang has been the curator of eighteenth- and nineteenth-century drawings at the Rijksmuseum in Amsterdam. He previously held positions at the Clark Art Institute in Williamstown, Massachusetts, the Frick Collection in New York, the Max Planck Institute for Art History in Rome, and the Cleveland Museum of Art. His first exhibition at the Rijksmuseum, “Point of View,” was on view from July to September of last year.

Sep 1, 2024 | artforum.com | Tina Rivers Ryan |Tyler Dean |Nadja Abt |FILMPRE-RAPHAELITE SISTERHOODOn Furiosa

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