
Nadine Khalil
Writer and Editor at Freelance
I write, edit and pontificate on all things art-related for @canvastweet @oculaart
Articles
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1 month ago |
artdaily.com | Nadine Khalil
DUBAI.- The Mine is presenting Resonant Turns, a solo exhibition by Iranian-American artist Hadieh Shafie, held in Warehouse 46 at Alserkal Avenue, Dubai. Hadieh Shafies practice is a process-driven contemplation that uses ink, paint, and paper as material for works that abstract text into form, evoking a spectrum of optical perspectives. Her reliefs comprise circular or cone-shaped scrolls inscribed with Farsi poetry and her own writing in acts of concealment, fragmentation, and distortion.
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Feb 14, 2025 |
frieze.com | Nadine Khalil
This review is part of a series of Must-See shows, in which a writer delivers a snapshot of a current exhibition Showcasing women’s weaving traditions in Palestine as a living, material culture, Hayy Jameel’s latest exhibition, ‘Thread Memory: Embroidery from Palestine’, forms an ‘imperfect chronology’, according to curator Rachel Dedman, whose work with textiles from the region spans a decade. Indeed, with the exhibition's loose structure of dress clusters, the devil is in the details.
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Feb 12, 2025 |
theartnewspaper.com | Dale Berning Sawa |Gareth Harris |Aimee Dawson |Nadine Khalil
Given the contemporary biennial sprawl—hundreds of artists, even more artworks—curators understandably often opt for short titles. These are loose umbrella terms for a deluge of art-making: casually evocative, rarely foundational. Read the full 18-line titular poem for Sharjah Biennial 16, which opened on 6 February, though, and something altogether more compelling—more urgent—takes hold.
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Oct 2, 2024 |
archpaper.com | Nadine Khalil
It’s not been a good summer for cultural tourism in Lebanon. Expats, urged by their embassies, have been flocking out of the country since July due to recent political assassinations, war with Israel, and the deadly attack by Mossad where pagers and cell phones exploded. We Design Beirut, a new 4-day multi-site exhibition which took place last May, and the effervescent design culture it garnered, stood in stark contrast to the Lebanon of today.
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Sep 9, 2024 |
news.artnet.com | Nadine Khalil
As the art world increasingly claims to represent marginalized voices, there has been a rising trend towards regional narratives in big biennials. While this provides context to non-Eurocentric discourses it also fetishizes them, especially when it comes to the Global South. In the Baltic countries of Estonia, Lithuania and Latvia, the art scene articulates a complex regionalism, one that considers a relationship embedded with Europe and post-Soviet identities.
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Apocalypse now: Why Arab authors are really writing about the end of the world https://t.co/p7xDzXHPUX