
Natalie Stoclet
Articles
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1 week ago |
forbes.com | Natalie Stoclet
Jesper Brodin was nothing like I expected. A formidable CEO, yes—but without the polished sheen or corporate distance. At Milan Design Week, while much of the design world leaned into spectacle, Brodin sat with me in a converted warehouse in Navigli, discussing carbon emissions and circularity with the calm of someone more interested in systems than soundbites.
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1 week ago |
whitewall.art | Natalie Stoclet
Milan Design Week can feel like a scavenger hunt. You don’t really “see” everything—you edit in real time. Your feet hurt, your phone dies, you forget to eat lunch, but somewhere between an off-site in a crumbling palazzo and a courtyard show staged like a Kubrick dream sequence, you spot it: the thing. The thing you didn’t know you needed to see until you did. This year, I went hunting for those objects. The ones that stop time. The ones that hint at their makers’ obsessions.
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2 weeks ago |
whitewall.art | Natalie Stoclet
There are two Milans during Design Week. The one you see—loud, crowded, endlessly photographed—and the one that lives behind closed doors, tucked into quiet courtyards, back tables at old trattorias, design studios with espresso machines older than you are. If you know where to look, Milan opens up like a well-worn sketchbook, full of stories etched in marble and etched onto linen napkins.
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1 month ago |
forbes.com | Natalie Stoclet
Last spring, I was sitting in a quiet Milanese courtyard with a Negroni Sbagliato, watching the late afternoon light stretch across worn stone. Next to me, a designer sketched furiously. “It’s either genius or a logistical nightmare,” they muttered as their friend glanced up from a cigarette, unimpressed.
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2 months ago |
whitewall.art | Natalie Stoclet
Every February, Zsóna Maco turns Mexico City into a veritable playground for art lovers, collectors, and critics alike. The 2025 edition raises the bar yet again, featuring a lineup that spans continents and disciplines. From crowd-stopping installations to quietly contemplative pieces, Zsóna Maco will be as much a reflection of global trends as it is a showcase of regional talent.
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