Paramita Ghosh
Senior Editor at The New Indian Express
Senior editor, The New Indian Express, Author, In a Future April. Contact [email protected]. Reposts are not endorsements
Articles
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3 days ago |
thevoiceoffashion.com | Unnati Saini |Rishabh Batra |Snigdha Ahuja |Paramita Ghosh
Delhi battled record-breaking temperatures on April 21. In photos, a follow up of last year’s heatwave and clothesmakers documentation, shot at Shankar MarketIn 2024, The Voice of Fashion followed tailors, dyers, embroiderers and block printers across local markets in Delhi to gauge the impact of the heatwave on their work, volume of customers and their health. Now, as the city braces itself for another season of severe temperatures, the story continues at Central Delhi’s Shankar Market.
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2 weeks ago |
newindianexpress.com | Paramita Ghosh
Some years ago, Monica Liu made me give her quite the chase in Chinatown, Kolkata. Agreeing to an interview, she called me over to sit in her restaurant while she got ready. Within minutes, she had hopped onto a scooter, saying she would be back after getting some travel documents, and turned up after three hours. By the early 2000s, Liu had emerged as Chinatown’s most well-known businesswoman, feted and snarked at in whispers.
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3 weeks ago |
indulgexpress.com | Paramita Ghosh
‘The Rise and Decline of an Absolutism’Bangkok artist Tanat Teeradakorn came to the fair with art centred on protest songs with traditional dance moves. His multimedia work, which included a stall, video, souvenirs and T-shirts with the anarchist slogan, ‘If we can’t dance it’s not our revolution’ was his attempt to create an archive of Thailand’s postwar history, focusing on how traditional art forms such as ramvong, a Thai dance-drama, were censored following the 1947 military coup.
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3 weeks ago |
newindianexpress.com | Paramita Ghosh
Art Basel Hong Kong (ABHK) 2025 is primarily a place of encounters. There is curation, there are roadmaps, and things are also left free. One morning you are packed into a bus to check into five galleries at a trot, running the gamut from surrealism to pop art to artworks in which tigers and ravens turn up among everyday objects on a canvas.
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1 month ago |
newindianexpress.com | Paramita Ghosh
According to Manipur dance history, the gracefully choreographed dance form of Raas Leela typically associated with Manipuri performance art was first introduced decades ago, sometime in 1779 by Ningthou Ching-Thang Khomba, also known as Rajarshi Bhagya Chandra, a 18th century Meitei monarch. Raas Leela’s deities are Lord Krishna and his beloved, Radha. The two are considered the ideal divine couple. What first drew the photographer Sanjay Das's attention to the dance form was its unique features.
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