
Paula Mejia
🇨🇴 Writer/editor for hire | Contributing LA culture @sfgate, words @GQMagazine @TheAtlantic others | adjunct @uscannenberg | Past @latimes @TexasMonthly
Articles
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1 week ago |
theatlantic.com | Paula Mejia
The show’s portrayal of a troubled teen asks viewers to stay engulfed in his mindset—for longer than many might want. The manosphere is mentioned explicitly for only a few minutes in Adolescence, the wildly popular Netflix show about a 13-year-old boy accused of murdering his female classmate, Katie. Its influence on the withdrawn protagonist, Jamie (played by Owen Cooper), is largely implied.
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1 week ago |
sfgate.com | Timothy Karoff |Paula Mejia
Charli XCX’s superfamous friends love her so muchAt his midnight set on Friday, the superstar producer dug into his bottomless bag of rap hits, bringing a revolving door of guest talent onto his stage: YG, Ella Mai, Big Sean, Tyga, Roddy Ricch and 2 Chainz, whose performance of “I’m Different” was a highlight. Right up until the end, Mustard pulled out all the stops.
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1 week ago |
sfgate.com | Paula Mejia
Shortly after ending a blistering rendition of “Coup D’Etat” during their Coachella set, Circle Jerks frontman Keith Morris made a clarification to the moshing crowd. Although that last song ended with the words “kill all,” he made a point to say that the band does not condone what it describes, including kidnapping government leaders for ransom and leading a coup. “That song, that last line, ends with ‘kill all.’ That’s a pretty f—king ugly statement,” Morris said. “In ugly times.
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1 week ago |
sfgate.com | Paula Mejia
As a heavy-hitting orchestra rife with stars of the classical music world, the Los Angeles Philharmonic has an impressive home to match. The orchestra’s headquarters is downtown’s Walt Disney Concert Hall, an immaculate-sounding room designed by architect Frank Gehry. During the summer season, when they’re not performing around the globe, the orchestra decamps to the Hollywood Bowl, an outdoor amphitheater gem.
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1 week ago |
sfgate.com | Paula Mejia
The crowd ballooned far outside of the covered stage’s confines, spilling out into the surrounding field. Onlookers screamed and screamed, craning their heads to grab a closer look at the costumed performers currently leading this Coachella audience in a sing-along earworm: “There’s a party in my tummy / So yummy.” Every time the performers goofily danced in lock-step or trounced around the stage, the crowd lost it once again.
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