Articles

  • Jan 29, 2024 | inreview.com.au | Phillip Brown |Alexander Voltz |PHIL BROWN

    There were two films on the big screen that brought great attention to the realm of Western art music in 2023 – Tár and Maestro. And now both films are being viewed regularly on streaming service Netflix. Ultimately, I do not care for either. Both films left me feeling short-changed. That’s because, although marketed as music movies, they really seem to have very little to do with music.

  • Jan 29, 2024 | inreview.com.au | Phillip Brown |Louise Martin-Chew |PHIL BROWN |Alexis Buxton-Collins

    . You are free to republish the text and graphics contained in this article online and in print, on the condition that you follow our republishing guidelines. You must attribute the author and note prominently that the article was originally published by InReview. You must also inlude a link to InReview. Please note that images are not generally included in this creative commons licence as in most cases we are not the copyright owner.

  • Jan 28, 2024 | inreview.com.au | Phillip Brown |PHIL BROWN |Louise Martin-Chew |Michelle Wakim

    . You are free to republish the text and graphics contained in this article online and in print, on the condition that you follow our republishing guidelines. You must attribute the author and note prominently that the article was originally published by InReview. You must also inlude a link to InReview. Please note that images are not generally included in this creative commons licence as in most cases we are not the copyright owner.

  • Jan 28, 2024 | inreview.com.au | Phillip Brown |Nance Haxton |Genevieve Meegan |PHIL BROWN

    South African guitarist Derek Gripper is a hard man to pin down when it comes to describing his unique talents. The musician, who plays Brisbane’s bayside and the Gold Coast on February 2 and 3, is touring nationally. Seeing him play is a unique experience. Gripper’s unusual blend of African and traditional classical styles has taken him around the world  to venues such as The Globe in London and Carnegie Hall in New York.

  • Jan 23, 2024 | inreview.com.au | Phillip Brown |PHIL BROWN |Genevieve Meegan

    To see Bette Midler in the audience one night would be a treat for Catherine Alcorn. For more than a decade this vibrant performer has been knocking them dead with her show, The Divine Miss Bette. And, of course, she wonders what Midler would think of it. Alcorn, who is in Brisbane for two shows at Brisbane Powerhouse on February 10, would love to have Midler in the audience. However, she has a reasonable idea that the American legend is okay with it.

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