
Sean Sennett
Articles
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Oct 20, 2024 |
inreview.com.au | Suzie Keen |Graham Strahle |Heidi Maier |Sean Sennett
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Oct 14, 2024 |
inreview.com.au | PHIL BROWN |Sean Sennett |Graham Strahle |Zoe Rice
It’s mid-afternoon in Brisbane’s Queen Street Mall and Kasey Chambers is backstage strumming her acoustic guitar. In half an hour she’ll play a short set to the assembled masses and afterwards she’ll sign her new memoir and accompanying album for any fan that wants one. As she’s jotting down what songs to play there’s an unexpected knock at the door and an office worker enquires if he can have a book signed for his wife “now”.
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Sep 29, 2024 |
inreview.com.au | PHIL BROWN |Sean Sennett |Olivia Stewart
Sitting under the Big Top watching Cirque Du Soleil’s latest show LUZIA I had a flashback. I was five and at the circus in Maitland, NSW, where there was a monkey wearing a fez riding a Shetland pony around and around the circus ring. There were a couple of tired elephants and a not very convincing strong man in a leopard skin leotard. The smell of sawdust pervaded the air. The flashback was fleeting as then I was back in the tent and ready.
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Sep 23, 2024 |
inreview.com.au | PHIL BROWN |Sean Sennett |Graham Strahle |Shannon Pearce
Steve Kilbey likes to swim. The Church frontman does a lot of thinking in the water. He’s been known to compile an album’s worth of lyrics over a few days in the pool. Creatively, he’s like a shark. He has to constantly move forward or it’s lights out for his muse, the music and the band. Kilbey has just turned 70. As always, he’s thinking about the next thing. As well as a national tour later in the year, that might be a book, a painting or a song. He’s pretty much always been like that.
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Sep 16, 2024 |
inreview.com.au | PHIL BROWN |Olivia Stewart |Graham Strahle |Sean Sennett
If the audience really wanted to get in the mood for Queensland Symphony Orchestra’s first concert for 2025, they could start a riot. We haven’t seen any riots in the Concert Hall at QPAC thus far. The thing is that the QSO’s first concert next year – its opening gala – is Igor Stravinsky’s The Rite of Spring. Stravinsky’s avant-garde score was first played to accompany a performance by Diaghilev’s Ballets Russes at the Theatre du Champs-Élysées in Paris in May 1913.
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