Articles

  • 2 weeks ago | metrotimes.com | Randiah Camille Green

    If you’re going to make a deal with the devil, make sure you’re ready to pay the price. And be forewarned, it may end up costing more than you’re willing to pay. One of the characters in the Detroit Repertory Theatre’s production of York Walker’s Covenant learns this after it’s far too late. I won’t tell you which one, because I don’t want to ruin it, but it’s probably not who you think.

  • 1 month ago | midbrow.org | Randiah Camille Green

    “Soft Target”Detroit Public TheatreDetroit, Mich. May 2, 2025Something is off about the characters in“Soft Target.” Why is Jonah shuffling awkwardly across the floor? What’s up with Molly’s Barbie hands and legs that don’t bend? And why does Di have sticky notes on her back with pants that look like they’ve been scribbled on by a child? Once you realize that they are actually children’s toys, their characterization turns from awkward to brilliant.

  • 1 month ago | metrotimes.com | Randiah Camille Green

    Something is off about the characters in Soft Target. Why is Jonah shuffling awkwardly across the floor? What’s up with Molly’s Barbie hands and legs that don’t bend? And why does Di have sticky notes on her back with pants that look like they’ve been scribbled on by a child? Once you realize that they are actually children’s toys, their characterization turns from awkward to brilliant.

  • 1 month ago | midbrow.org | Randiah Camille Green

    “The Central Park Five”Detroit Opera HouseDetroit, Mich. May 10, 2025My chest felt heavy, bearing the weight of my blackness, as foreboding music began to fill the Detroit Opera House. I sat fidgeting in my seat as the fear channeled by the orchestra penetrated my bones. But by the second act of “The Central Park Five,” the fear was quelled and entangled with perplexion and frustration.

  • 1 month ago | metrotimes.com | Randiah Camille Green

    My chest felt heavy, bearing the weight of my blackness, as foreboding music began to fill the Detroit Opera House. I sat fidgeting in my seat as the fear channeled by the orchestra penetrated my bones. But by the second act of The Central Park Five, the fear was quelled and entangled with perplexion and frustration.

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Carolyn Clifford

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