Robert Goldrich's profile photo

Robert Goldrich

Los Angeles

Editor at SHOOT

Featured in: Favicon shootonline.com

Articles

  • 5 days ago | shootonline.com | Robert Goldrich

    When American Masters approached Marlee Matlin about doing a documentary, Matlin had one name in mind to direct: Shoshannah Stern. Like Matlin, Stern is deaf. She also hadn't directed before. But Matlin, who herself became the first deaf person in the Directors Guild of America just a few years ago, was certain she was up to the task.

  • 1 week ago | shootonline.com | Robert Goldrich

    The wide-screen spectacle of Formula One gets a gleaming, rip-roaring workout in Joseph Kosinski's "F1," a fine-tuned machine of a movie that, in its most riveting racing scenes, approaches a kind of high-speed splendor. Kosinski, who last endeavored to put moviegoers in the seat of a fighter jet in "Top Gun: Maverick," has moved to the open cockpits of Formula One with much the same affection, if not outright need, for speed. A lot of the same team is back. Jerry Bruckheimer produces.

  • 2 weeks ago | shootonline.com | Robert Goldrich

    The House narrowly voted Thursday to cut about $9.4 billion in spending already approved by Congress as President Donald Trump's administration looks to follow through on work done by the Department of Government Efficiency when it was overseen by Elon Musk.

  • 3 weeks ago | shootonline.com | Robert Goldrich

    Years before Ana de Armas was using an ice skate to slice a neck in "From the World of John Wick: Ballerina," she co-starred with Keanu Reeves in a much different film. The erotic thriller "Knock Knock," released in 2015, was de Armas' first Hollywood film. De Armas, born and raised in Cuba, had just come to Los Angeles after acting in Spain. English was new to her, so she had to learn her lines phonetically. "It was tough and I felt miserable at times and very lonely," she says in an interview.

  • 4 weeks ago | shootonline.com | Robert Goldrich

    LOS ANGELES -- When Randall Einhorn took on the then brand new Abbott Elementary (ABC) as a director and executive producer, he knew from the first day on set that the series was special. Up until then, he hadn’t met any of his colleagues on the show in person. Rather in the midst of the COVID pandemic, his contact with them had been confined to interacting on Zoom.

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