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Nov 3, 2024 | 
inreview.com.au | Suzie Keen |Rachael Mead |Penelope Debelle |Vicki Englund
The action begins in Los Angeles, where actor Lou Wells (Rebecca Breeds) is fast approaching rock-bottom. After a promising start in Hollywood with a role on a soap, she’s now broke and living on her ex-boyfriend’s couch, and her agent has dropped her. At the climax of a day that couldn’t get much worse, Lou talks her way out of a traffic fine using the plane ticket she received from her estranged father.
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Nov 3, 2024 | 
inreview.com.au | Suzie Keen |Penelope Debelle |Rachael Mead |Vicki Englund
. You are free to republish the text and graphics contained in this article online and in print, on the condition that you follow our republishing guidelines. You must attribute the author and note prominently that the article was originally published by InReview. You must also inlude a link to InReview. Please note that images are not generally included in this creative commons licence as in most cases we are not the copyright owner.
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Nov 3, 2024 | 
inreview.com.au | Suzie Keen |Jane Llewellyn |Graham Strahle |Katherine Arguile
Brett Sheehy had to hit the ground sprinting when returning to the helm of the Adelaide Festival, with the 2025 program sent to the printers less than two months after he started as artistic director. Sheehy, who was AD of the event from 2005-08, was brought back to finalise and oversee the delivery of next year’s Festival after his predecessor Ruth Mackenzie left in early August to take up a new role within the Department of the Premier and Cabinet.
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Oct 31, 2024 | 
inreview.com.au | Suzie Keen |Michelle Wakim |Anthony Mullins |PHIL BROWN
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Oct 31, 2024 | 
inreview.com.au | Shannon Pearce |PHIL BROWN |Graham Strahle |Suzie Keen
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Oct 31, 2024 | 
inreview.com.au | Suzie Keen |PHIL BROWN |Murray Bramwell
. You are free to republish the text and graphics contained in this article online and in print, on the condition that you follow our republishing guidelines. You must attribute the author and note prominently that the article was originally published by InReview. You must also inlude a link to InReview. Please note that images are not generally included in this creative commons licence as in most cases we are not the copyright owner.
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Oct 31, 2024 | 
inreview.com.au | Suzie Keen |Christie Anthoney |Tully Barnett |PHIL BROWN
. You are free to republish the text and graphics contained in this article online and in print, on the condition that you follow our republishing guidelines. You must attribute the author and note prominently that the article was originally published by InReview. You must also inlude a link to InReview. Please note that images are not generally included in this creative commons licence as in most cases we are not the copyright owner.
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Oct 30, 2024 | 
inreview.com.au | Suzie Keen |Jo Case |John Miles |Jane Ring Frank
Queenslander Lech Blaine’s first memoir, Car Crash (2021), explored his guilt and complicated grief after surviving a car crash that killed three of his friends. Praised for its sensitive exploration of Australian masculinity, it launched him as a major Australian writer. His terrific Quarterly Essay, Top Blokes: The Larrikin Myth, Class and Power, exposing the artificiality of then-PM Scott Morrison’s working-class cosplay, was published soon after.
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Oct 30, 2024 | 
inreview.com.au | Genevieve Meegan |Suzie Keen |PHIL BROWN |John Miles
At its heart, the transformation of the former Onkaparinga Woollen Mill in Lobethal into a cultural community space represents people power at its best and reflects the locals’ passion for their beloved mill landmark. The rustic old mill, comprised of multiple buildings, has been redeveloped into Fabrik Arts + Heritage, an architecturally designed arts and cultural hub that celebrates the textile heritage of the mill through arts, creativity, inclusion and community.
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Oct 30, 2024 | 
inreview.com.au | Suzie Keen |PHIL BROWN
. You are free to republish the text and graphics contained in this article online and in print, on the condition that you follow our republishing guidelines. You must attribute the author and note prominently that the article was originally published by InReview. You must also inlude a link to InReview. Please note that images are not generally included in this creative commons licence as in most cases we are not the copyright owner.
