
Stephanie Rudig
Articles
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4 weeks ago |
washingtoncitypaper.com | Douglas Corzine |Serena Zets |Allison R. Shely |Stephanie Rudig
Thanks for being a member of City Paper! In his 1917 short film The Immigrant, Charlie Chaplin presented his iconic Little Tramp as a penniless immigrant coming to America by boat. Chaplin’s shorts showcased his ability to celebrate underdogs and imbue the silent film era’s slapstick humor with a new emotional depth, laying the groundwork for full-length masterpieces like Modern Times and one of our favorites here at City Paper, City Lights.
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2 months ago |
washingtoncitypaper.com | Stephanie Rudig |Christina Smart |Will Lennon |Matt S. Siblo |Louis Jacobson
“I never thought of happiness as something reachable. Happiness is not something you can hold onto.” So says artist Hung Liu in the wall text of Hung Liu: Happy and Gay, an exhibit that examines the painter’s series based on Maoist propaganda books for children that were prevalent throughout her childhood in China. The slipperiness of joy and of memory is evident in the paint drips that stain what are usually otherwise placid scenes.
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Feb 12, 2025 |
washingtoncitypaper.com | Serena Zets |Stephanie Rudig |Allison R. Shely |Steve Kiviat
Thanks for being a member of City Paper! Comedian Abby Govindan has been on a sharp, and funny, ascent for the past seven years. If you don’t recognize her name, you’d probably recognize some of her many viral tweets.
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Jan 29, 2025 |
washingtoncitypaper.com | Brandon Wetherbee |Steve Kiviat |Stephanie Rudig
Thanks for being a member of City Paper! Molly Lewis, the best whistler working today by a long shot, is definitely an outlier on the Songbyrd schedule. In a club well suited for loud indie rock and hip-hop acts, this musician should do what few other performers do at the venue: wow with her almost-singing.
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Jan 9, 2025 |
washingtoncitypaper.com | Stephanie Rudig
Thanks for being a member of City Paper! The thesis for ART MATTERS at gallery neptune & brown speaks to using art to synthesize a complex moment and challenging the status quo and sounds an awful lot like the manifesto to an overtly political show. The work on display, however, is more of a respite from current affairs.
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