Stephi Wild

5 days ago | broadwayworld.com | Stephi Wild

I’M EVERY WOMAN THE MUSICAL, the powerful and inspiring life story of the award-winning, multi-platinum selling, global icon, Chaka Khan, will open at The Peacock Theatre in London for a strictly limited engagement from 5 – 28 March 2026 with an official opening night on 11 March. The new musical which reveals the woman behind the diva, and her rise to stardom has a book by Nia T.

5 days ago | broadwayworld.com | Stephi Wild

The Kuala Lumpur Performing Arts Centre will host a musical performance titled A Whisper of Soul: A Reflection of Life’s Journey on May 17 and 18, 2025, at Pentas 2, klpac, located in Sentul Park, Kuala Lumpur. This intimate three-part concert will feature the renowned soprano Dr. Ang Mei Foong, accompanied by The klpac Orchestra under the baton of Maestro Lee Kok Leong.

5 days ago | broadwayworld.com | Stephi Wild

On May 10, 2025, Jackson, Mississippi will host the Mississippi Makers Fest, a vibrant celebration of local artists and creators. This one-day event will take place in Downtown Jackson, offering a platform for artisans, musicians, and performers to showcase their talents. Live Performances: Enjoy music and performances from local artists throughout the day. Interactive Workshops: Participate in hands-on activities and learn new skills. To post a comment, you must and

5 days ago | broadwayworld.com | Stephi Wild

Moxie Arts NY has announced the appointment of Margaret Lee as its new Artistic Director, as part of a move to expand the company's creative capacity and deepen its commitment to serving the community. Former Artistic Director K. Hernandez-Friend transitions into a new role as Creative Producer. Lee began collaborating with Moxie Arts NY in 2020 as the director of From A to Double D, and has since directed three commissioned world premieres with the company.

5 days ago | broadwayworld.com | Stephi Wild

Jo Strømgren Kompani will bring A Dance Tribute to the Art of Football to Oslo. Performances run through August 5. The performance delves into the physical routine of football and elevates the aesthetic aspects of its insanity. It comments the difference between “common sports” and “eloquent arts”, likewise the concept of working-class football and upper-class ballet. Initiated in early 1997, the performance has proven to be the first of its kind.