
Stuart Isaac Burnside
Articles
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1 month ago |
bfi.org.uk | Ros Cranston |Chloe Walker |Kieron Corless |Stuart Isaac Burnside
As part of the BFI’s Film on Film Festival – our festival honouring the medium of film itself, where every film is projected from a print – we are also celebrating the creativity of Ruby and Marion Grierson, sisters who have been overshadowed by their brother John Grierson, a legendary figure in the history of documentary filmmaking.
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1 month ago |
bfi.org.uk | Kieron Corless |Chloe Walker |Stuart Isaac Burnside |Kieron Corless Festivals
I’ve been an on-and-off attendee at IndieLisboa film festival for nigh on 20 years, and although personnel and programming structures have altered considerably during that time, other elements happily remain constant.
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1 month ago |
bfi.org.uk | Stuart Isaac Burnside |Chloe Walker |Nick James |Christopher Bird
Nintendo can often seem a company led by contradictions. For every fresh trail the Kyoto giant blazes, there’s an example of them being stubbornly stuck in the past. 2015 was the age of the Wii U, their ambitious but flawed follow-up to the mega-successful Wii.
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1 month ago |
bfi.org.uk | Chloe Walker |Nick James |Christopher Bird |Stuart Isaac Burnside
On what would have been her 100th birthday, we remember model-turned-actress Martha Vickers and her scene-stealing performance – playing younger sister to Lauren Bacall – as the flirtatious Carmen Sternwood. 28 May 2025“You’re not very tall, are you?”In the opening scene of 1946 noir classic The Big Sleep, Carmen Sternwood makes quite the impression. After disparaging the height of private detective Philip Marlowe (Humphrey Bogart), the two trade more flirtatious words.
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1 month ago |
bfi.org.uk | Christopher Bird |Stuart Isaac Burnside |Anton Bitel |José Arroyo |Jose arroyo
As part of the BFI’s Film on Film season, BFI National Archive Curator Rosie Taylor and I will be presenting an event about a film format very few people have even heard of: 28mm. Most people know about Kodak’s 16mm gauge, brought out in 1923, and a few know about Pathé’s 9.5mm, brought out the year before. But a decade earlier was a truly pioneering film gauge, designed to take films out of cinemas and into schools, churches and even homes.
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