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Nov 3, 2024 | 
inreview.com.au | Suzie Keen |Jane Llewellyn |Graham Strahle |Katherine Arguile
Brett Sheehy had to hit the ground sprinting when returning to the helm of the Adelaide Festival, with the 2025 program sent to the printers less than two months after he started as artistic director. Sheehy, who was AD of the event from 2005-08, was brought back to finalise and oversee the delivery of next year’s Festival after his predecessor Ruth Mackenzie left in early August to take up a new role within the Department of the Premier and Cabinet.
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Aug 25, 2024 | 
inreview.com.au | Suzie Keen |Jane Llewellyn |Graham Strahle |Katherine Arguile
Today’s program announcement – which includes Club Amour by Pina Bausch’s German dance company Tanztheater Wuppertal, and Australian Dance Theatre’s 60th anniversary show A Quiet Language – comes just three weeks after it was revealed that Adelaide Festival artistic director Ruth Mackenzie was leaving the event midway through her tenure to take up a new role with the State Government.
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Jul 14, 2024 | 
inreview.com.au | Suzie Keen |Katherine Arguile |PHIL BROWN
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Apr 21, 2024 | 
inreview.com.au | Abdulrazak Gurnah |PHIL BROWN |Katherine Arguile |Jane Llewellyn
Toowoomba-born Queensland artist Archie Moore is the toast of the art world after taking out one of the top honours in visual arts globally. Creative Australia announced that Archie Moore’s exhibition kith and kin at the Australia Pavilion has been awarded the prestigious Golden Lion for Best National Participation at La Biennale de Venezia 2024 (Venice Biennale). This is the first time an Australian artist has received this accolade.
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Apr 18, 2024 | 
inreview.com.au | Abdulrazak Gurnah |Suzie Keen |Katherine Arguile |PHIL BROWN
. You are free to republish the text and graphics contained in this article online and in print, on the condition that you follow our republishing guidelines. You must attribute the author and note prominently that the article was originally published by InReview. You must also inlude a link to InReview. Please note that images are not generally included in this creative commons licence as in most cases we are not the copyright owner.
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Apr 14, 2024 | 
inreview.com.au | Abdulrazak Gurnah |PHIL BROWN |Olivia Stewart |Katherine Arguile
Since premiering in Brisbane in 2016, Queensland Ballet’s A Midsummer Night’s Dream has delighted audiences around the state and beyond. Back in Brisbane for a two-week season, this is a welcome opportunity to revisit this beautiful and bewitching ballet, created as a co-production with Royal New Zealand Ballet in 2015.
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Mar 21, 2024 | 
inreview.com.au | John Neylon |Graham Strahle |Katherine Arguile |Shannon Pearce
There was something for everyone in the giant festival finale that the Adelaide Symphony Orchestra cooked up on the weekend. With electronic music duo Electric Fields, the Floods of Fire concert was a joyous occasion. Akram Khan’s latest collaboration brings Rudyard Kipling’s 19th-century classic into contemporary relevance, its post-apocalyptic setting, reimagined characters and flawless, multi-layered production transforming the beloved children’s tale into an urgent call to action.
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Mar 20, 2024 | 
inreview.com.au | PHIL BROWN |Katherine Arguile |Megan Koch
It will be quite the homecoming for Leanne Benjamin when Queensland Ballet on Tour performs in Rockhampton on March 27. Who could have guessed that the performance at the Pilbeam Theatre would mark the beginning of a famous Rockhampton ballerina’s accession to the throne as artistic director of Queensland Ballet. Benjamin is a month into her new job, taking over after Li Cunxin retired due to ill health.
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Mar 17, 2024 | 
inreview.com.au | PHIL BROWN |Nance Haxton |Katherine Arguile |Megan Koch
Australasian Dance Collective’s latest triple bill couldn’t be more timely – as it builds on the success of its recent ground-breaking works and celebrates the company’s 40th anniversary year. ADC, previously EDC (Expressions Dance Company), has made a name for itself in contemporary dance by providing a platform for creative risk-taking.
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Mar 17, 2024 | 
inreview.com.au | Suzie Keen |Graham Strahle |Katherine Arguile |Jo Vabolis
. You are free to republish the text and graphics contained in this article online and in print, on the condition that you follow our republishing guidelines. You must attribute the author and note prominently that the article was originally published by InReview. You must also inlude a link to InReview. Please note that images are not generally included in this creative commons licence as in most cases we are not the copyright owner.
