
Ted Loos
Writer at Freelance
booster shots & ego boosts. also a lot of writing, @nytimes @wsjmag and all over
Articles
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1 week ago |
nytimes.com | Ted Loos
About 10 years ago, Amanda Precourt turned her attention to buying art. She now sponsors shows and is opening an exhibition space in an old cookie factory. Some collectors buy art because they enjoy it, some do it to show off and some simply want to fill their walls. For others, collecting is a true lifeline, and Amanda Precourt falls into that category.
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1 week ago |
1stdibs.com | Ted Loos
Art history has only a limited number of truly distinctive gestures, ones that we recognize in an instant and that summon the makers’ names immediately. Franz Kline’s big black slashes on white canvases from the 1950s fall into that category. Confident, bold and pared down to the basics of form and line, they still exert enormous power and are one of the lasting achievements of Abstract Expressionism.
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1 week ago |
ourcommunitynow.com | Ted Loos
Share Andrew Edlin Gallery has been operating since 2001 in New York City, with a particular specialty in self-taught makers.
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1 week ago |
nytimes.com | Ted Loos
"There's no getting around it," one exhibitor said. "More people will see a work at a fair in three or four days than will come into your gallery in 10 years." Andrew Edlin Gallery has been operating since 2001 in New York City, with a particular specialty in self-taught makers.
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1 week ago |
nytimes.com | Ted Loos
The Argentine-born collector wants to add to the diversity of museum holdings and get more artists "a seat at the table." Wealthy collectors who want to be involved with museums typically donate works, write checks and sit on a board of trustees - these are the essential steps that keep art institutions afloat. But Ariel Aisiks - the Argentina-born art patron who now lives on New York's Upper East Side - is on a personal mission.
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