
Thomas Butt
Freelance Features Writer at Collider
Freelance Contributor at Taste of Cinema
Features Writer @collider. Contributor for Taste of Cinema. I write about movies and neuroticism on The Empty Theater. DVD Commentary Track Aficionado.
Articles
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1 week ago |
collider.com | Thomas Butt
Editor's note: The following contains spoilers for 'Warfare' When watching a new war film by Alex Garland, prepare to be white-knuckling your seat rests. While the themes and politics (or lack thereof) in Garland's previous war film, Civil War, divided audiences, everyone agreed that Garland's chops as a visually dynamic genre director and creator of visceral set pieces are unmatched.
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1 week ago |
collider.com | Thomas Butt
Coming off two wildly successful Black Panther movies, Ryan Coogler is using his cachet to write and direct Sinners, an original high-scale genre film shot on IMAX cameras. The secret sauce of these spectacle-driven films is the presence of movie stars, as Sinners features Coogler's muse, and the always exciting Michael B. Jordan, playing twin vampire hunters.
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1 week ago |
collider.com | Thomas Butt
The idea of Bill Murray and Bruce Willis sharing an office before reaching icon status is a fun piece of trivia for movie fans, but it becomes disheartening to realize how long it took for them to properly work together. Murray, now promoting his new film with Naomi Watts, The Friend, is still a prominent figure in movies and culture in his 70s. Due to his ongoing health issues, Willis has retired, but his impact on film and our expectations of movie stars is everlasting.
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1 week ago |
collider.com | Thomas Butt
The legendary reputation of the directing pair of Joel Coen and Ethan Coen speaks for itself. No one really needs to go to bat for them as their work has reached a totemic level of reverence. That said, when it comes to their outright masterpieces — like their mainstream breakthrough, Fargo— the praise is endless.
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1 week ago |
collider.com | Thomas Butt
At the end of Inglourious Basterds, Lt. Aldo Raine (Brad Pitt) proclaims, after incising a swastika on Col. Hans Landa's (Christoph Waltz) forehead, "I think this just might be my masterpiece." Often cited that Raine serves as an avatar for the frequently self-referential Quentin Tarantino, this being the closing line of a film feels incredibly hubristic on the surface. However, we have to let this egotistical flourish pass, as the man indeed did craft a masterpiece.
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The amount of hate Variety holds toward movies as art is astounding. (Movie rocks to high heavens, by the way.)

"Sinners" has amassed $61 million in its global debut. It's a great result for an original, R-rated horror film, yet the Warner Bros. release has a $90 million price tag before global marketing expenses, so profitability remains a ways away. https://t.co/gjPXGBYkZ1 https://t.co/wwXjVC2GT5

Complete catnip for me—almost a factory-designed TV show for me to like. Two episodes in, I adore THE STUDIO.

The Studio on Apple is simultaneously a perfect satirical snapshot of the movie industry in its current state and a celebration of film in every way. It's Birdman meets Once Upon a Time In Hollywood. You absolutely gotta watch this show. https://t.co/6QHtWNxrDs

RT @Douggernaut_2: https://t.co/sj7tcc9OX3