Articles

  • 1 week ago | businessoffashion.com | Tim Blanks

    LONDON — The glow has scarcely faded from the monumental party Lucien Pagès threw for his 50th birthday and he’s already celebrating another watershed with Wednesday morning’s announcement that his public relations agency Lucien Pagès Communication is forming a joint venture with Adam Iezzi’s London-based agency AIPR. Backing the union is The Independents, the global design, production and PR giant, which acquired LPC last December. The terms of the transaction were not disclosed.

  • 1 month ago | businessoffashion.com | Tim Blanks

    Jonathan Anderson’s decade-plus tenure at Loewe, which officially ends today, has been defined by two passions: craft and curation. They have shaped one of the most distinctive, radical voices in fashion. It has challenged all sorts of orthodoxies, foremost the relationship between form and function. What comes to mind for some reason are the porcelain plates Japanese ceramicist Takuro Kuwata inserted into dresses in the A/W 2020 collection. I think of the perennial Rei Kawakubo question — Why?

  • 2 months ago | businessoffashion.com | Imran Amed |Tim Blanks

    The author has shared a Podcast.You will need to accept and consent to the use of cookies and similar technologies by our third-party partners (including: YouTube, Instagram or Twitter), in order to view embedded content in this article and others you may visit in future. Subscribe to the BoF Podcast here.

  • 2 months ago | businessoffashion.com | Tim Blanks

    Facing the challenge of her new position as creative director of Givenchy, Sarah Burton had been asking herself the inevitable questions. What does Givenchy stand for? Where do I want to begin? Since Count Hubert himself retired in 1995, the house has bounced from pillar to post under owner LVMH. While it’s true that risks were taken with the creative directorship over the years, the designer churn also suggested the brand was less of a priority than its larger stablemates.

  • 2 months ago | businessoffashion.com | Tim Blanks

    The mirrors that lined the walls of Haider Ackermann’s show venue on Wednesday night were subtly graffiti-ed with suggestions of deviance: it was easy to imagine provocative phrases, obscene drawings, phone numbers, hand prints… the sort of improvised decor you might find in a gamy club privé. This Versailles of Vice was inspired by a much younger Ackermann’s work experience in a nightclub in Antwerp’s red light district. Come dawn, the working girls would meet up to review the night’s adventures.

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Tim Blanks
Tim Blanks @tim_blanks
29 Oct 17

I want to LIVE in #callmebyyourname. Drop a couple of decades, dance to #psychedelicfurs for the… https://t.co/bhXyYeLrai

Tim Blanks
Tim Blanks @tim_blanks
14 Oct 17

40 years ago today, #DavidBowie released his 12th album #Heroes. Empires have fallen since then,… https://t.co/peN1qMToyH

Tim Blanks
Tim Blanks @tim_blanks
7 Oct 17

Sleeping Beauty friezemasters https://t.co/glhAdSlQ85