
Articles
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1 week ago |
homeanddesign.com | Tina Coplan |Bob Narod
DC artist Natalie Cheung explores the endless options of photography sans cameraWhen Natalie Cheung was a child, her parents hoped she’d become a piano prodigy. After 11 years of private lessons, however, the diligent student was delighted when they decided she could call it quits. By then attending Falls Church High School, she had been given her first camera. “I was working in the wrong art field,” the photographer recalls, and has never looked back.
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1 month ago |
homeanddesign.com | Tina Coplan |Paul Warchol
What could a painting be if it could take any shape or form? That question was circulating in the art-world air when Steven Cushner studied painting at the Rhode Island School of Design in the 1970s. Back then, winds were gusting toward conceptual art, which challenges the conventional notion that a material object is the goal behind a work of art.
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Feb 28, 2025 |
homeanddesign.com | Tina Coplan
As she shapes stoneware, Catherine Satterlee unearths the many facets of clayWhile an undergrad taking classes in clay at Bennington College, Catherine Satterlee puzzled over a professor’s words. “I think ceramics for you is a safe harbor,” the adviser told her a half-century ago. In the decades since, Satterlee has tested the waters as an art teacher, graphic designer, painter and member of the Hirshhorn Museum’s exhibitions staff.
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Nov 11, 2024 |
homeanddesign.com | Tina Coplan
Visiting her family’s second home on the Chesapeake Bay years ago, Shirley Gromen loved to go fishing with her dad. Now she illustrates those fish, along with regional birds and plants, on wondrous black-and-white porcelains. Mugs, vases, plates and platters are incised with her drawings of swimming crabs and striped bass, or perhaps a pelican pausing among native grasses. Enhancing the tactile surface of her ceramics, Gromen applies a sgraffito technique.
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Aug 23, 2024 |
homeanddesign.com | Tina Coplan
Trey Jones doesn’t like to waste anything. So when he watched cabinetmakers tossing out plywood scraps in the workshop they all share in Alexandria, he started saving odd pieces, believing one day he’d know what to do with them. Just six months later, that day came. While visiting a client, the furniture-maker spotted a Japanese Nerikomi vase, its patterns formed of layered and sliced clays. “I saw that and it clicked,” he says.
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