
Wesley Morris
Critic-at-Large at The New York Times
Host at Still Processing
https://t.co/LnNZRcibnt and https://t.co/GORy5l1l2R
Articles
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1 week ago |
flipboard.com | Wesley Morris
NowAfter more than 100 days of President Trump marked by overreach and economic self-immolation, congressional Republicans need a reset to save their political fortunes. Representative Mike Johnson, the House speaker, is banking on a spending and tax cut package to provide that jolt, and numerous …
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1 week ago |
nytimes.com | Wesley Morris
This moment might call for excessive, imaginative Black art that wants to be gobbled up. That's Ryan Coogler's new movie. That's "Cowboy Carter." Let's throw in some Kendrick, too. When Beyoncé wails, in the opening moments of her " Cowboy Carter" album, that "them big ideas are buried here," I've imagined "big" standing in for "racist" but have never hit pause to wonder about the GPS coordinates. That song's called "Ameriican Requiem," so the cemetery is everywhere.
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2 months ago |
nytimes.com | Wesley Morris
It's entirely probable that scandal, gossip, politics and a general sense of "never heard of it before" have obscured something obvious and important about this year's 10 best picture Oscar nominees. They're weird - every single one. They take weird forms. The people in them do weird stuff. They induce weirdness in you.
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Jan 29, 2025 |
nytimes.com | Wesley Morris |Elyssa Dudley |Kate LoPresti |Wendy Dorr |Paula Szuchman |Sophia Lanman
Wesley Morris sits down with editor Niela Orr to dissect the lyrics, influences and drama behind the eight songs nominated for Record of the Year at the Grammys. Plus, the Beyoncé of it all. Image Credit... Photo Illustration by The New York Times; Photo: David J. Phillip/Associated Press The New York Times Audio app is home to journalism and storytelling, and provides news, depth and serendipity.
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Dec 28, 2024 |
nytimes.com | Wesley Morris
La historia del vampiro más famoso se reconfigura y es lo más cercano a una obra de franquicia que puede hacer un director independiente como Robert Eggers. Video Back transcript'Nosferatu' | Anatomy of a SceneRobert Eggers narrates a sequence from his film featuring Nicholas Hoult. "Hi, I'm Robert Eggers, the writer and director of "Nosferatu." Nicholas Hoult is on a journey to Castle Orlok, and he is stopping in a Transylvanian village that we built in the Czech Republic outside of Prague.
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Wait, so the lettuce actually *won*?

RT @timcraigpost: 16! Stories on Washington Post website about Biden Speech/Afghanistan before you get to this story about the suffering of…

Just masterful 🤡 deployment

Why did he make a truly dumb statement like this? I don’t get what he expected from those employed at Amazon! I know it couldn’t have been a YAY!! Shame on you, Mr. Bezos… 🤡 https://t.co/Y2oLUMOaEl