
Articles
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3 weeks ago |
nytimes.com | Holland Cotter
Critic's PickOver nearly six decades, this fantastically inventive artist experimented with paint, turning it into a sculptural medium. Our critic calls his survey "scintillating and sweeping."Jack Whitten, "9.11.01" (2006), a 20-foot-long memorial to the destruction of the World Trade Center on 9/11, an event that he witnessed firsthand. Credit...
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1 month ago |
nytimes.com | Holland Cotter
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2 months ago |
nytimes.com | Holland Cotter
This week in Newly Reviewed, Holland Cotter covers two group shows: one devoted to an important gallery from the past, the other focused on language and silence. Through March 22. Bertha and Karl Leubsdorf Gallery, Hunter College, 132 East 68th Street, Manhattan; 212-772-4991, huntercollegeart.org. Image D.E.I. didn't exist in the mainstream New York art world a half-dozen decades ago.
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Dec 26, 2024 |
nytimes.com | Holland Cotter
A centuries-old Buddhist model of the universe has new meaning for the shortest of days and longest of worries. The Metropolitan Museum of Art is, in these darkest days of midwinter, one of the city's spiritual hot spots, thanks to the harmonic convergence of two outstanding and very different exhibitions, both closing soon.
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Dec 15, 2024 |
nytimes.com | Holland Cotter
For that piece, she constructed a float at the 1983 Afro-American Day Parade in Harlem and hired a crew of performers to ride on it. Each of the performers held an empty gilded picture frame. As the float made its way up Adam Clayton Powell Jr. Boulevard, the performers descended into the street and invited spectators to pose for portrait photos within the frames - that is, to be turned into art. The piece was a hit.
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