Awards Daily

Awards Daily

AwardsDaily is a platform dedicated to following the Oscar journey from beginning to end. Being one of the first in the field, Stone has complete ownership of her website.

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  • 3 weeks ago | awardsdaily.com | Sasha Stone

    Both Sidney Sweeney and Amanda Seyfried are coming in hot in this year’s Oscar race. They not only star together in the suspenseful thriller, The Handmaid, but each of them is showcased in different films that might push them into the race. Sweeney will star in Americana, releasing in August.

  • 3 weeks ago | awardsdaily.com | Sasha Stone

    On June 7th, tomorrow night, CNN will air its first ever play, George Clooney’s Good Night, and Good Luck. This would be great if not for the obvious fact that George Clooney is a hypocrite and a coward. Sorry, but these are the ugly facts. He said nothing, not one word, for the past ten years as writers, teachers, journalists, actors all lost their jobs when the mob came for them. He said nothing when the mob came for me just last year.

  • 3 weeks ago | awardsdaily.com | Sasha Stone

    Jennifer Lopez was the standout when the film screened in Toronto. Perhaps she’s looking at that much-desired Supporting Actress nod. DREAMGIRLS and BEAUTY AND THE BEAST director Bill Condon returns to the movie musical in this dazzling Technicolor-hued fantasy. Valentín (Diego Luna), a political prisoner, shares a cell with Molina (Tonatiuh), a window dresser convicted of public indecency.

  • 3 weeks ago | awardsdaily.com | Sasha Stone

    Facebook Twitter LinkedInReddit PrintBluesky WhatsAppThreads EmailI have high hopes for this one. If it’s as good or better than the first, this could be the Best Picture frontrunner. Witches vs. Vampires anyway. Not a bad Oscar year, that would be. VIDEOScreenshots:Facebook Twitter LinkedInReddit PrintBluesky WhatsAppThreads Email

  • 3 weeks ago | awardsdaily.com | Sasha Stone

    The Democratic Party is losing men—fast. Even some gay men have abandoned ship. As I’ve been saying for years, often to a chorus of criticism, the Democrats and Hollywood are joined at the hip. Since 2008, when Obama’s digital coalition surged alongside the iPhone, Twitter, and Facebook, the two have fused into one cultural-political machine, riding the wave of a society shifting to virtual spaces. For a time, this was Hollywood’s utopia.

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