British Journal of Photography

We are the publishers of the British Journal of Photography, recognized as the oldest and most impactful photography publication in the world. Our platform hosts some of the most esteemed awards in the photography field. Additionally, our in-house agency links top photographic talent with leading global brands to create innovative and transformative visual campaigns.

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In Thread Memory, photography of Palestinian tatreez resists forgetting

1 week ago | 1854.photography | Dalia Al-Dujaili

Saleem Dawood Azar, Gaza, 1985. Courtesy of the Palestinian Museum Making use of the Palestine Museum’s large digitised collection, Rachel Dedman curates photographic context to visual heritage not “limited to colonial collections”When Rachel Dedman first began researching tatreez, the rich tradition of Palestinian embroidery, it wasn’t with the intention of unearthing a photographic archive.
Taking risks on your own terms: what Falmouth University's online MA has to offer

1 week ago | 1854.photography | Sarah Moroz

Falmouth University’s 120-year legacy is maintained through online courses, allowing emerging photographers to participate flexibly and flourish from any territoryThe four modules taught over two years on the university‘s online MA Photography degree provide creative margin for students to experiment and take risks in their photography. Lecturers with industry experience provide guidance and oversee projects for the master’s, helping students develop and strengthen their individual perspectives.
Still Processing argues that artificial intelligence can indeed be one-of-a-kind

1 week ago | 1854.photography | Dalia Al-Dujaili

The new show at Nxt Museum in Amsterdam tackles the current age of machine learning and the role of artificial intelligence in image-makingIn Still Processing, Nxt Museum’s latest exhibition, which opened 7 February and is on view through 5 October, artists Rosa Menkman and Sam Balfus aka Balfua delve deep into the shifting terrain of human-machine perception.
Space: Satirising Polish stereotypes and what "being a woman" means in Hungary

2 weeks ago | 1854.photography | Diane Smyth

Welcome to European Kinship: Eastern European Perspective, a special editorial project marking an exhibition of the same name at the Capa Center All images © Karolina Wojtas. Karolina WojtasMade in PolandMade in Poland is scrawled on a woman’s behind, the ‘i’ dotted with a love heart; it is messy, irreverent and funny, like Wojtas’ images.
A grand celebration of Gabriel Moses's repertoire

3 weeks ago | 1854.photography | Dalia Al-Dujaili

All images © Gabriel Moses, courtesy of 180 Studios 180 Studios hosts Selah, the largest exhibition of the inimitable photographer and filmmaker to date“I didn’t study this stuff in school, all I have is my memories and my culture and my environment,” Gabriel Moses tells me as we stand in front of one of his images, framed large-scale on a dark wall in the low-lit setting of 180 Studios.
Inspired by the Internet's rabbit holes, Ebun Sodipo interrogates Black creativity

3 weeks ago | 1854.photography | Habi Diallo

The artist’s latest show An Ominous Presence explores the tension between desire, identity, and the act of image-makingFor those who grew up online during the early 2010s, Tumblr was a site which became a space to rewrite the rules of photo archiving. A whole generation used it to collect, curate, and remix images that reflected personal and political awakenings and, in turn, find a way to make sense of the world.
"I am enough and whole as I am": Bea Dero casts hybridity onto the streets of London

3 weeks ago | 1854.photography | Dalia Al-Dujaili

Bound by Two Homes blends Iranian cultural iconography with quintessentially British spaces to dissect identity For Bea Dero, a British-born Iranian artist – as for most diaspora – identity presents itself as a method by which one practices their identity as they go. The artist’s debut solo show Bound by Two Homes materialised through a deeply personal journey of self-acceptance, an effort to reconcile two halves of an identity that the world so often forced apart.
A new home for photography in Vienna

3 weeks ago | 1854.photography | Diane Smyth

After 18 years at C/O Berlin, and three years setting up the fledgling FOTO ARSENAL WIEN, Felix Hoffmann is spearheading its move into a large new home in a historic postwar building“We are still under construction, but we’re aiming to open on 21 March,” says Felix Hoffmann.
Nona Faustine unpacks the dark and hidden history of America

1 month ago | 1854.photography | Diane Smyth

This article is printed in the latest issue of British Journal of Photography magazine, Activism & Protest, delivered direct to you with an 1854 Subscription. BJP is saddened to hear that photographer and visual artist Nona Faustine has passed away. In celebration of her life and work, we are republishing our interview on White Shoes, her alternative history of the USA and its slave tradeWall Street is famous the world over for its financial markets.
Steve McQueen casts his eye on the act of resistance at Turner Contemporary

1 month ago | 1854.photography | Dalia Al-Dujaili

Pam Isherwood, Stop Clause 28 march, Whitehall, London, 9 January 1988 © Bishopsgate Institute Photography has long been a tool of resistance (which is why our latest issue is focused on the subject). From the smuggled images of uprisings to the carefully framed moments of defiance, the camera has long been an accomplice to activism.