FACT Magazine
FACT, founded in 2003, is a British magazine that focuses on music and youth culture, publishing issues every two months. It gained recognition for featuring cover art from various artists such as M.I.A., Bat for Lashes, Shepard Fairey, Barry McGee, Peter Saville, Trevor Jackson, Klaxons, and Brazil's Os Gemeos. After releasing its last print edition in 2008, FACT transitioned to an online format.
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Articles
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Nov 13, 2024 |
factmag.com | Kelly Doherty
Cecilia Bengolea discusses Shelly Belly Inna Real Life, shot in Jamaica between 2015 and 2019 and showing until 22 December at 180 Studios. In a new interview, Argentinian artist, choreographer, and dancer Cecilia Bengolea details the experience of making Shelly Belly Inna Real Life, her video installation for The Vinyl Factory: Reverb exhibition.
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Jul 17, 2024 |
factmag.com | Kelly Doherty
The Turner Prize-winning artist on politics, music and his film Everybody in the Place: An Incomplete History of Britain 1984-1992, now showing at The Vinyl Factory: Reverb exhibition. Jeremy Deller has interrogated and framed art, music and politics through his work as a producer, publisher, filmmaker, collaborator and archivist for the last three decades.
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May 9, 2024 |
factmag.com | Henry Bruce-Jones
The audio-visual collaborators discuss world-building, identity and decolonising spaces in the digital and offline realms. Gabriel Massan and LYZZA both want to build new worlds, but it’s up to us to figure out how to navigate them.
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May 3, 2024 |
factmag.com | Gazelle Mba
Tschabalala Self on heritage, identity, and what it means and looks like to be a practicing artist today. A Black woman is seated in her finery, upright posture, paying you no mind. Or her legs are splayed, an open secret. Or she is bent over, her gaze turned towards the floor, nonchalant and carefree. Many of the artist Tschabalala Self’s paintings are character studies of these kinds.
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Apr 19, 2024 |
factmag.com | Henry Bruce-Jones
Multidisciplinary artist Freeka Tet on taking a hacker’s approach to create playful, subversive works of music and visual art. Freeka Tet can’t decide whether he’s a hacker, a magician or a sell-out. This might be because he spends most of his time inhabiting all of three of these roles. During his conversation with Fact he emphasises the importance of one of his many self-administered tattoos, the seemingly nonsensical phrase ‘ou ou et ou ou et et’, which curls across his chest in spidery cursive.
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