The Critic Magazine (UK)

The Critic Magazine (UK)

The Critic is a fresh monthly magazine in the UK that covers a wide range of topics, including politics, ideas, art, literature, and more. Co-edited by Michael Mosbacher and Christopher Montgomery, The Critic aims to challenge a dominant narrative that often dismisses critical perspectives as overly sensitive or offensive. The goal isn't to provoke or stir up trouble; instead, it focuses on honest criticism as a way to seek a deeper understanding of the truth, rather than ignoring it.

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English
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#104331

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Articles

  • 2 days ago | thecritic.co.uk | Patrick Kidd

    This article is taken from the May 2025 issue of The Critic. To get the full magazine why not subscribe? Right now we’re offering five issues for just £10. Father Christmas didn’t come to Tranquil Vale last year. For more than a decade, the children’s shoe shop in Blackheath had a life-size model of Santa sitting in the window.

  • 3 days ago | thecritic.co.uk | John Self

    This article is taken from the May 2025 issue of The Critic. To get the full magazine why not subscribe? Right now we’re offering five issues for just £10. Ben Markovits is something of an enigma — to me, at least. The British-American novelist has been productive if not downright prolific, publishing 11 novels since his debut 21 years ago, and in 2013 was selected as one of Granta’s Best Young British Novelists.

  • 4 days ago | thecritic.co.uk | Norman Lebrecht

    Wilhelm Furtwängler: 2nd symphony (Chandos) ★★☆☆☆What’s this record doing on my deck? I have listened to Furtwängler’s own recordings of his overlong second symphony and have heard it performed live by Daniel Barenboim with the Berlin Philharmonic without walking out. The works spends three-quarters of an hour going nowhere. Furtwängler composed it in Switzerland after fleeing Berlin in January 1945, abandoning his musicians to a desperate fate.

  • 6 days ago | thecritic.co.uk | Daniel Sugarman

    The state of the National Theatre is tragic indeed It is always sad to see a pillar of the Establishment feebly attempting to embrace the radical zeitgeist. It is, after all, extremely difficult to pass oneself off as an iconoclast when one is averse to breaking anything.  The Royal National Theatre might do well to keep that in mind, if its latest season — its first under new director Indhu Rubasingham — is anything to go by.

  • 6 days ago | thecritic.co.uk | Alys Denby

    Kingsley Amis used to have sex dreams about the late Queen (“Oh no, Kingsley, we mustn’t!). We are yet to learn whether, in the three years since his coronation, King Charles III has invaded the fantasies of Britain’s novelists. Looking at a painting of him that adorns the cover of the latest edition of Tatler, I doubt it. In an uncharacteristically drooping suit with hair like a cyberman’s helmet, His Majesty is not exactly shown to his best advantage in this picture.