Crack Magazine
Outlet metrics
Global
#307201
United Kingdom
#40742
Arts and Entertainment/Music
#611
Articles
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2 weeks ago |
crackmagazine.net | Alice Nicolov
07.04.25 Words by: Alice Nicolov Photography: Frederick Paxton As he gears up for a Milan Design Week collaboration with Stone Island, Friendly Pressure founder Shivas Howard Brown talks formative sound system experiences and being part of a lineage of Black British music. In a sun-flooded East London studio, Friendly Pressure founder Shivas Howard Brown pads across a thick cocoa-coloured rug to the record player flanked by two chest-high speakers.
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1 month ago |
crackmagazine.net | Nina Posner
03.04.25 Words by: Nina Posner Photography: Raphaël Gaultier Photography Assistant: George Goldberg After the surprise success of their debut, Signs, Purelink found themselves at the forefront of a tidal shift in electronic music.
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1 month ago |
crackmagazine.net | Zoya Raza-Sheikh
25.03.25 Words by: Zoya Raza-Sheikh Photography: Chez Goodspeed Merging college-rock influences with allusions to Iraqi heritage and musical traditions, Nabeel(نبيل)’s music is driven by both the preservation of culture and creating a new sound. “I’ve always been obsessed with pop music.” Yasir Razak, founder of Iraqi-American indie band Nabeel (نبيل) is recalling the antics of his younger self over Zoom.
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1 month ago |
crackmagazine.net | Dean Van Nguyen
01.04.25 Words by: Dean Van Nguyen Photography: Louis O’Sullivan Makeup: Maggie O’Shea Photography Assistant: Cameron Crossen Inspired by her return to Connemara, a region rich in Irish history and myth, Maria Somerville’s second album is shaped its spirit, spacious landscape and seasonal pace. The weather in Dublin this late January is mild, nothing like the images of Storm Éowyn being beamed from the rest of Ireland.
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1 month ago |
crackmagazine.net | Declan McGlynn
AI’s champions promise democratisation, while its denouncers fear a devaluation of art as we know it. With electronic music scenes braced for impact, what exactly will the future sound like? For the past three years, generative AI’s existential threat has dominated discourse in the creative industries.
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