Under the Radar

Under the Radar

Under the Radar is a quarterly indie music magazine that reaches audiences across North America and beyond, proudly declaring itself as "The solution to music pollution." Founded in 2001 by the husband-and-wife duo of Mark Redfern, a writer, and Wendy Lynch Redfern, a photographer, this independent publication is well-regarded for its comprehensive and engaging interviews with both well-known and emerging bands, accompanied by distinctive and artistic photo shoots. The magazine provides insightful and often witty articles that delve deeper than just a band's primary influences, frequently featuring exclusive photography. Notably, Under the Radar conducted the final interview and photo shoot with the late Elliott Smith in 2003, and it gained recognition for its music and politics issues in 2004 and 2008 (known as The Protest Issues), which included charity auctions supporting organizations like War Child. Aiming to be a trendsetter, Under the Radar interviews promising young artists long before they hit the mainstream spotlight, playing a key role in the rise of bands such as Fleet Foxes and Vampire Weekend, making it the first nationally distributed print magazine to feature either group. The publication was also an early advocate for artists like Bright Eyes, Interpol, Death Cab for Cutie, and many others, and it was the first American magazine to interview international acts such as The Duke Spirit and Friendly Fires. Each issue contains up to 200 reviews covering a variety of cultural releases, including music, film, television, DVDs, books, comic books, and video games. Additionally, Under the Radar’s website offers exclusive reviews, news, interviews, and a rich archive of past content.

National, Consumer
English
Magazine

Outlet metrics

Domain Authority
70
Ranking

Global

#388387

United States

#239019

Arts and Entertainment/Music

#3366

Traffic sources
Monthly visitors

Articles

  • 1 day ago | undertheradarmag.com | Mark Moody

    Web Exclusive If turnabout is fair play, then The Convenience is the fairest band in the land. On Like Cartoon Vampires, the New Orleans-based duo of Nick Corson and Duncan Troast do a complete 180 from their 2021 debut, Accelerator. On the earlier album, Corson and Troast proved out that there are limits in modeling yourself as a Prince copy band.

  • 2 days ago | undertheradarmag.com | Mark Redfern

    News All Britpop legends Pulp are releasing More, their first new album in 24 years, on June 6 via Rough Trade. Now they have announced some new September North American tour dates. They include shows in the Northeast; Toronto; and Washington, D.C.; and build up to their previously announced co-headlining dates with LCD Soundsystem at Los Angeles’ Hollywood Bowl.

  • 2 days ago | undertheradarmag.com | Andy Von Pip

    News All New York indie rock trio Sunflower Bean share a powerful final preview track, “There’s a Part I Can’t Get Back,” from their forthcoming album Mortal Primetime, which is scheduled for release this Friday, April 25th, via Lucky Number.

  • 2 days ago | undertheradarmag.com | Andy Von Pip

    News All Minneapolis-based singer and songwriter Samia has unveiled “Carousel,” the final single from her forthcoming album Bloodless, which arrives this Friday, April 25. Following a string of standout tracks, “Bovine Excision,” “Lizard,” “Hole in a Frame,” and “Pants”—“Carousel” offers one last glimpse into what promises to be her most ambitious record yet.

  • 3 days ago | undertheradarmag.com | Mark Redfern

    News All The Cure have announced a new remix album, Mixes of a Lost World, to benefit the charity War Child UK. They have also shared two of its tracks, remixes by Four Tet and Paul Oakenfold. The album also features reworks by Mogwai, Orbital, Trentemøller, The Twilight Sad, Daniel Avery, and others.