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2 weeks ago | 
artforum.com | Barry Schwabsky
How often these days do you come across a more or less orthodox adherent of the Julio González/David Smith/Anthony Caro lineage of welded-metal sculpture? Rarely. And one who is even capable of making that tradition feel fresh and vital? Just about never. So the work of Jilaine Jones comes as a surprise. As we learned from her exhibition here, which featured twenty works created between 2005 and 2024, Jones makes her tradition new by making it old—by treating it as historical and full of memories.
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1 month ago | 
artforum.com | Barry Schwabsky
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1 month ago | 
artforum.com | Barry Schwabsky
Store and/or access information on a device Cookies, device or similar online identifiers (e.g. login-based identifiers, randomly assigned identifiers, network based identifiers) together with other information (e.g. browser type and information, language, screen size, supported technologies etc.) can be stored or read on your device to recognise it each time it connects to an app or to a website, for one or several of the purposes presented here.
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1 month ago | 
artforum.com | Barry Schwabsky
Malcolm de Chazal (1902–1981) might be better known as a writer than as an artist—and, as a writer, he was the kind who excited his peers with ecstasies while somehow never reaching a wider public. W. H.
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2 months ago | 
artforum.com | Barry Schwabsky
PMC, its service providers, and third-party partners collect information about you and how you use our services (including clicks and screen recordings) using first and third-party cookies, pixels, and similar technologies. Learn about our data practices and your choices in our Privacy Policy. By continuing to use our services, you agree to our Terms of Use (including to waiver and arbitration).
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Feb 1, 2025 | 
artforum.com | Richard A. Meyer |Oskar Oprey |Bryan Barcena |Barry Schwabsky
Store and/or access information on a device Cookies, device or similar online identifiers (e.g. login-based identifiers, randomly assigned identifiers, network based identifiers) together with other information (e.g. browser type and information, language, screen size, supported technologies etc.) can be stored or read on your device to recognise it each time it connects to an app or to a website, for one or several of the purposes presented here.
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Feb 1, 2025 | 
artforum.com | Barry Schwabsky
So-called outsider art is commonly valued for its idiosyncratic character and an originality of spirit—and therefore of form—unspoiled by convention. And yet, truth to tell, much of what is presented under this rubric looks remarkably similar. Singular inventors at the level of, say, Helen Rae or Martín Ramírez are as rare in this realm as they are in the domain of academically trained professionals.
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Jan 1, 2025 | 
artforum.com | Anne Carson |Bryan Barcena |Barry Schwabsky |David Ross
ON THE OCCASION OF “Overshare,” Sophie Calle’s first retrospective in North America at the Walker Art Center in Minneapolis, Artforum asked Anne Carson to discuss a work from the French artist’s show. Her text, “COUNTERSLEEPFEIT,” was written in response to a project for which Calle invited twenty-seven people to sleep in her bed over the course of eight days. A selection of photographs documenting this event are reproduced here. “Overshare” is on view through January 26.
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Dec 29, 2024 | 
thenation.com | Barry Schwabsky
The Nation Weekly
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By signing up, you confirm that you are over the age of 16 and agree to receive occasional promotional offers for programs that support The Nation’s journalism. You may unsubscribe or adjust your preferences at any time. You can read our Privacy Policy here.
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Sep 3, 2024 | 
thenation.com | Barry Schwabsky
The Nation WeeklyFridays. A weekly digest of the best of our coverage. By signing up, you confirm that you are over the age of 16 and agree to receive occasional promotional offers for programs that support The Nation’s journalism. You may unsubscribe or adjust your preferences at any time. You can read our Privacy Policy here. As for the contemporary offerings at “Foreigners Everywhere,” it’s often hard to see how they connect to Pedrosa’s nucleo storico.
