Bella Bonner-Evans

Oct 3, 2024 | artsy.net | Bella Bonner-Evans

“The Bleed, Part I” will mark George Rouy’s debut exhibition with Hauser & Wirth since the announcement of his co-representation in May 2024, cementing his status as a leading figure of a new generation of British painters. As the youngest artist on the globally renowned blue-chip gallery’s roster, the 30-year-old Kent-born painter has rapidly gained recognition since graduating from London’s Camberwell College of Arts in 2015.

May 28, 2024 | artsy.net | Bella Bonner-Evans

There’s South London, where experimentation reigns; Bloomsbury, where newly opened galleries are around every corner; and the East End, where Cambridge Heath Road is studded with art spots. It’s that time of year again: London Gallery Weekend is once again set to take place across the British capital, from May 31st to June 2nd.

Jan 25, 2024 | artsy.net | Bella Bonner-Evans

Established in 1949, “New Contemporaries” remains the foremost annual survey of U.K.-based art students and recent graduates. With prestigious alumni including Paula Rego, Chris Ofili, Tacita Dean, and Mona Hatoum, the exhibition each year presents an undeniable opportunity to glimpse the practices that will shape the future of contemporary art.

Nov 21, 2023 | artsy.net | Bella Bonner-Evans

A considerable shift occurred in Amanda Baldwin’s practice three years ago. Having risen to prominence working in still-life painting, the New York–based artist turned her attention to landscapes in 2020. “I noticed that many of my still-life or interior scenes had windows in the corner and, over time, I found myself more drawn to the realm beyond the window. I wanted to open it up and go outside,” Baldwin told Artsy in an interview.

Aug 10, 2023 | artsy.net | Bella Bonner-Evans

ArtBella Bonner-EvansAs a generation, Gen Z seems entirely exhausted by the state of the world. In the wake of Trump, Brexit, COVID-19, the ever-worsening climate emergency, and widespread political upheaval, young people are often seeking stability and are unafraid to make plain personal beliefs and ideologies. But what does this mean for the future of contemporary art, specifically painting?