Articles

  • 2 weeks ago | ribaj.com | Chris Foges

    Since setting up almost impulsively during the pandemic, Artefact's founders Daniel Marmot and Benedetta Rogers have purposefully focused on the craft of constructionArtefact was born on a beach, and in a hurry. Founders Daniel Marmot and Benedetta Rogers were working at the same London practice, and taking on small side projects, when the opportunity arose to do a new build house together. With some family and friends in tow, they took a trip to Southend to consider their options.

  • 1 month ago | ribaj.com | Chris Foges

    Quadrangles at Oxford University have one thing in common: they are, as the name suggests, at least roughly rectilinear. Or at least they have been until now, with the arrival of curved quads at the Gradel Quadrangles designed by David Kohn Architects for New College. Bends and bulges abound in every detail of an ensemble comprising 94 student bedrooms and ancillary facilities, offices, a concert hall, and a classroom wing for a prep school attached to the college.

  • 1 month ago | ribaj.com | Chris Foges

    Architect Peter St John does not mince words about the standard of commercial development in London: ‘unsophisticated’ and ‘depressing’ are among the printable judgements. Offices tend either to glassy banality or gauche attention-seeking, and have a deadening effect on public space. ‘There aren’t many commercial buildings one can really admire,’ he says.

  • 2 months ago | architecturalrecord.com | Chris Foges

    Visitors to John Soane’s extraordinary house-museum in London can have no doubt that he was steeped in history. Its sepulchral basement is filled to bursting with a collection of antiquities befitting a Neoclassical architect whose education culminated in the 18th-century Grand Tour. Plaster friezes and Greco-Roman busts on fluted columns cluster around a 3,000-year-old Egyptian sarcophagus. But was Soane also a kind of proto-Modernist, a century or more ahead of his time?

  • 2 months ago | ribaj.com | Chris Foges

    The award of the 2025 Royal Gold Medal to SANAA partners Kazuyo Sejima and Ryue Nishizawa honours an extraordinary body of work. Their buildings are diverse but with common qualities: boldly innovative, refined – sometimes to the point of near-immateriality – and both planned and realised with diagrammatic clarity, suggesting rare confidence and determination. And yet talking to the pair – via video call from their Tokyo studio – they are strikingly self-effacing.

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