
Dan Gentile
Culture Editor at SFGate
Senior culture editor at @sfgate. Not so new in town. Vinyl DJ. House producer. Coffee, BBQ, and disco.
Articles
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4 days ago |
sfgate.com | Kimberly Alters |Charles Russo |Dan Gentile |Timothy Karoff
San Francisco is a jungle for its human residents, too, with new sights and sounds lurking behind every tree and along every promenade. To keep track of the city’s thicket of activity, we started Fogcutter, SFGATE’s weekly roundup of events, ephemera and entertainment. Every week, our reporters crawl the city’s sidewalks, studios and shopping centers and write about what they see.
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2 weeks ago |
sacbee.com | Dan Gentile
May 21-If you asked an average millennial moviegoer to name a favorite director, odds are Wes Anderson would be a top three answer. The auteur behind classics like "Rushmore" and "The Royal Tenenbaums" has developed arguably the most distinct cinematic language that exists today. Almost everyone knows a Wes Anderson movie when they see one, and I saw the worst one I could imagine at the Cannes Film Festival.
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2 weeks ago |
sfgate.com | Dan Gentile
If you asked an average millennial moviegoer to name a favorite director, odds are Wes Anderson would be a top three answer. The auteur behind classics like “Rushmore” and “The Royal Tenenbaums” has developed arguably the most distinct cinematic language that exists today. Almost everyone knows a Wes Anderson movie when they see one, and I saw the worst one I could imagine at the Cannes Film Festival. It’s easy to dunk on Anderson at this point in his career, but I don’t consider myself a hater.
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2 weeks ago |
sfgate.com | Dan Gentile
The film is set in the summer of 2020 in the fictitious New Mexico town of Eddington, where Joaquin Phoenix serves as COVID-19-denying Sheriff Joe Cross, backed by sycophant deputies Guy (Luke Grimes) and Michael (Micheal Ward). Pedro Pascal plays Mayor Ted Garcia, who is trying to respect mask mandates and revitalize the town by opening an artificial intelligence data center.
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2 weeks ago |
sfgate.com | Dan Gentile
CANNES, France — There are very few rock stars who can top Bono in terms of sheer personality per inch, a fact he leans into during his new concert film “Bono: Stories of Surrender,” which premiered last week at the Cannes Film Festival. “These are the tall tales of a short rock star,” he narrates at the start of the film with a charming self-deprecation that he returns to throughout.
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