
Rafa Sales Ross
Articles
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2 weeks ago |
variety.com | John Hopewell |Annika Pham |Rafa Sales Ross
CANNES — Blessed for most part by balmy weather, French TV fest Canneseries launched a new life this week, staging its first standalone edition without a parallel MipTV or Mipcom supplying a big buyer base sitting literally just yards from Canneseries screenings. Canneseries Artistic Director Albin Lewi argued before Canneseries that the event is not about on-site buyers but “buzz,” “the word of mouth of being in selection, even if buyers are not on-site, is very important.
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2 months ago |
letterboxd.com | Rafa Sales Ross |Gemma Gracewood |Jack Moulton
Thermometers indicated a whopping -9 degrees Celsius by the time eager fans began to line up outside the hotel that houses the Berlinale press conferences. The ice-white skin of vampire Edward Cullen on creased posters beautifully mirrored the thin layer of snow that covered the bobble hats and scarves of already shrieking festival-goers—and that was six hours before RPattz was scheduled to arrive.
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2 months ago |
msn.com | John Hopewell |Rafa Sales Ross
Continue reading More for You Continue reading More for You
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2 months ago |
variety.com | John Hopewell |Rafa Sales Ross
As São Paulo State and Brazil at large gears up its funding for film, TV, vid games and beyond, there is a distinct possibility that Brazil's Congress will approve this year a global streamer investment quota for Brazilian films and series. If that happens, it could see R$700 million-R$800 million ($122 million-$140 million) being invested in independent Brazilian production, producer Fabiano Gullane ("Senna") estimates.
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Feb 12, 2025 |
bfi.org.uk | Nick Bradshaw |Jason Anderson |Katie McCabe |Rafa Sales Ross
Kids do not fly their nest in an Adam Elliot film. They may be pushed out, or their homes may crumble, but his characters do not want to take wing and have no hope of soaring. Among the many animal companions in the Australian animator’s ‘clayographic’ life fables, birds do figure, but at heart they are caged, or their wings broken, or their legs cut off. And their human keepers, Elliot’s very grounded subjects, are equally lumbered.
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