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1 week ago | 
theartnewspaper.com | J. Cabelle Ahn
In his show Midnight Zone at the Museum Tinguely, the French Swiss artist Julian Charrière plunges viewers into the oceanic abyss to explore the social, cultural and temporal urgencies of underwater ecologies. Featuring four new commissions alongside earlier works, the exhibition charts Charrière’s multidisciplinary approach informed by fieldwork across extreme geographies.
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1 week ago | 
theartnewspaper.com | J. Cabelle Ahn
The exhibition Of my life at Kunsthalle Basel brings together the American artist and activist Ser Serpas’s multifaceted practice as a curator, painter, sculptor and performer. Serpas is best known for her assemblages created entirely from found and discarded materials, a contemporary reworking of Marcel Duchamp’s readymades attuned to the conditions of late-stage capitalism.
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1 month ago | 
news.artnet.com | J. Cabelle Ahn
Lotus L. Kang is a channeler of memories—both collective and personal. In her latest exhibition, “Already“ (on view at 52 Walker through June 7, 2025), the Brooklyn-based Canadian artist layers the gallery’s loft-like space with dualities.
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1 month ago | 
theartnewspaper.com | J. Cabelle Ahn
Long before art fairs, advisory firms and mega-galleries, there were barbers, tailors and innkeepers managing the flow of art in 17th-century Italy. Beyond the Fringe, an exhibition at Nicholas Hall Gallery in New York, spotlights this understudied corner of the early art market, when a dramatic increase in the supply of art helped expand the trade to a surprising new class of participants.
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1 month ago | 
theartnewspaper.com | J. Cabelle Ahn
Este quarto parece uma República! (This bedroom looks like a republic!), on view until 6 October at MoMA PS1 in Queens, marks the Angolan artist Sandra Poulson’s first museum exhibition. It arrives at a very poignant moment. Taking an archaeological approach to materials, Poulson creates installations that explore how symbols embedded in common objects sustain global power structures—a theme fit for the new era of trade protectionism.
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1 month ago | 
theartnewspaper.com | J. Cabelle Ahn
“Nothing gold can stay,” as Robert Frost wrote in his 1923 Pulitzer Prize-winning poem—but Solid Gold at the Brooklyn Museum (until 6 July) insists on the material’s endurance. Spanning fine art, numismatics, fashion, jewellery and design, the exhibition traces gold’s perennial association with political, economic, technological and religious power from ancient civilisations to the present day.
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Mar 28, 2025 | 
theartnewspaper.com | Carlie Porterfield |Tim Schneider |J. Cabelle Ahn
Three years into a downturn of the global art market, fairs and dealers dedicated to prints say editioned works on paper are faring better than other media and have even managed to capture the attention of a new collector class. The phenomenon may have been on display best on Thursday (27 March) at the VIP preview of the annual International Fine Print Dealers Association’s (IFPDA) Print Fair (until 30 March).
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Mar 27, 2025 | 
theartnewspaper.com | Elena Goukassian |J. Cabelle Ahn |Brian Allen
Almost a century after it first opened its doors on Manhattan’s Upper East Side, the Frick Collection unveils its first-ever education centre. Part of the museum’s renovation—repurposing 60,000 sq. ft of existing space, and adding 27,000 sq. ft of new space—the Ian Wardropper Education Room is an 846-sq.-ft multipurpose space named after the museum’s outgoing director.
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Mar 26, 2025 | 
theartnewspaper.com | J. Cabelle Ahn |Robert B. Simon |J. S. Marcus |J.S. Marcus |Hilarie M. Sheets
The Frick Collection, one of New York’s most beloved art institutions, reopens to the public on 17 April after a five-year hiatus.
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Mar 18, 2025 | 
theartnewspaper.com | Anna Brady |George Nelson |J. Cabelle Ahn
In June 1985, a group of 16 print dealers hung their wares on the walls of the old Diploma Galleries in the Royal Academy of Art for the very first London Original Print Fair (LOPF), now the city’s longest running art fair. “I remember standing at the door and wondering if anyone would come,” says Gordon Cooke, the fair’s chairman and founder, in a video to mark its 40th anniversary this year.
