Articles

  • 1 week ago | theartnewspaper.com | Alexander Morrison |Carlie Porterfield

    Art Basel has long been considered the ultimate art fair. This year is no different—but even Art Basel is not impervious to market conditions and factors like rapidly developing trade wars, international conflict and threats of recession. During this year’s fair, galleries have reported strong sales, but there are signs of shifts in the landscape and question marks about how both the fair and dealers will adapt. Dealers agree that Art Basel stands above all other fairs when it comes to quality.

  • 1 week ago | theartnewspaper.com | Carlie Porterfield

    The second day of the Art Basel VIP preview, sales continued to roll in, albeit at a slower pace. White Cube sold Michael Armitage’s 2015 painting In the garden for $3.2m, while Gagosian placed a large lobster sculpture by Jeff Koons for “seven figures”. Pace’s Pablo Picasso painting Homme à la pipe assis et amour (1969), priced at $30m, is still on reserve, though the gallery did say it sold a 1964 bronze by Louise Nevelson for $850,000.

  • 1 week ago | theartnewspaper.com | Alexander Morrison |Carlie Porterfield

    This week Liste Art Fair Basel celebrates its 30th birthday, a very adult milestone for a fair that has always prioritised youth and encouraged exhibitors to display works by artists under the age of 40. But even going into its fourth decade, Liste stands manage to delight visitors with subversive art and buzzy international galleries. Being a Tree Sometimes III (2022, pictured above)“Nahum B.

  • 1 week ago | theartnewspaper.com | Carlie Porterfield

    Geopolitical factors, like war between Israel and Iran, the humanitarian crisis in Gaza and escalating military action in Russia and Ukraine, can spook collectors out of shelling out major figures for a work of art, as can stock market turmoil and uncertainty over US tariffs. Still, major international dealers say they did well on the preview day of Art Basel.

  • 1 week ago | artnewspaper.fr | Carlie Porterfield |Alexandre Crochet

    Après l’annulation en février de l’édition 2024 de Design Miami Basel – la foire de design qui se tenait de longue date en parallèle d’Art Basel –, un groupe de galeries, majoritairement françaises, s’est rassemblé pour lancer une nouvelle initiative et maintenir une présence du design à Bâle. La manifestation s’est ainsi tenue dans l’Offene Kirche Elisabethen, une église du XIXe siècle située juste à côté de la Kunsthalle de Bâle.

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